Iron Monkey Trio
Andy Eulau, Bob Celusak & Kevin Norton
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| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
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1 |
O/R | Kevin Norton | 7:28 | $0.99 | View In iTunes |
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2 |
Nardis | Kevin Norton | 7:31 | $0.99 | View In iTunes |
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3 |
CIMPly Da Blues | Kevin Norton | 6:36 | $0.99 | View In iTunes |
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4 |
This Loving Thing | Kevin Norton | 7:41 | $0.99 | View In iTunes |
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5 |
I Mean You | Kevin Norton | 6:41 | $0.99 | View In iTunes |
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6 |
December 19, 2000 (For Milt Hinton) | Kevin Norton | 5:35 | $0.99 | View In iTunes |
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7 |
Walking the Dogma | Kevin Norton | 10:17 | Album Only | View In iTunes |
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8 |
Thoughts of the Iron Monkey | Kevin Norton | 6:20 | $0.99 | View In iTunes |
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9 |
Footprints | Kevin Norton | 9:03 | $0.99 | View In iTunes |
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10 |
Suite In Three Parts: (a) He Ain't Gonna Make It (b) Take My Equation (Please) (c) Ray (Times Two) | Kevin Norton | 4:13 | $0.99 | View In iTunes |
| Total: 10 Songs |
Album Review
The sophisticated styling of percussionist Kevin Norton anchors this intriguing trio, which continuously surprises with their compellingly creative surges. Norton is an unusual freestyle performer who seems as comfortable performing progressive, free form collective improvisation as he is exploring traditional melodic forms. Rarely have both been combined with the success that they are here. Part of the reason is the depth of the material, from Wayne Shorter's "Footprints," Miles Davis' "Nardis," and Thelonious Monk's "I Mean You," to a broad range of original pieces from the members of the group. Norton and crew eschew totally traditional treatments of melody, instead opting to infuse each piece, particularly the well-known ones, with new perspectives. The CIMP label has consistently shown an uncanny ability to mine new talent and rediscover long-neglected performers. This release, remarkably, marks the debut recording of the talented, and at the time, nearly 50-year-old saxophonist Bob Celusak, who seems to combine the sound and technique of prime Sonny Rollins with Celusak's own concepts — a singular entree, indeed. Bassist Andy Eulau is given plenty of space in which to impress with his rich tone and driving energy. There is much to savor throughout this CD, from a well-paced program that rarely lets up, through a charming emphasis on good, old-fashioned adventure. Even on the quieter explorations, such as the leader's tribute ("December 19, 2000") to his friend and teacher, bassist Milt Hinton, there is a childlike sense of discovery. With so many recordings issued each year, this one quietly pulls away from the pack, with many fine qualities and an alluring sense of song that never relents. In all, a gem of a journey.





