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Jack Orion

Bert Jansch

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iTunes Review

For British acoustic-folk heavyweight Bert Jansch’s third album, he decided to record a set of traditional tunes in their unadulterated form. Future Pentangle collaborator John Renbourn again joins Jansch on four of the album’s eight tracks and the result is another automatic classic for the British folk canon. The playing is solid and dexterous, flashy but never for its own sake. “The Wagonner’s Lad” is a swift, spirited instrumental. Ewan MacColl’s “First Time Ever I Saw Your Face” is a modest, brief and touching instrumental piece. “The Gardener” is a brief but excited vocal and guitar number. “Nottamun Town” (where Dylan swiped the melody for “Masters of War”) is timeless. “Blackwater Side” would be adapted soonafter by Led Zeppelin in a heavier format as the instrumental “Black Mountain Side.”  The nearly ten-minute title track is epic. Aside from a brief period in the mid-‘70s, Jansch would rarely feel the need to go much beyond his folk roots, but his performances of his beloved genre remain the gold standard to which many aspire.

Customer Reviews

very appealing.

i like the tone of the guitars and how they were recorded. i didn't expect to care much for this, but this morning, i am finding the simpicity of its folkness to be very appealing!

Jimmy Page

On Led Zep I, "Black Mountain Side" is basically the same as "Black Water Side" by Bert J.

Bert Jansch

Bert Jansch was a big-time guitar influence on a lot of people from Bob to Jorma. That tricky fingerpicking style made a lot of people stand up and shout, not so much his choice of folk songs. Did into his other downloads and you'll see how he moved from some of that, just as Joan Baez, Bob Dylan and even the Beatles and Stones ultimately did.

Biography

Born: November 3, 1943 in Glasgow, Scotland

Genre: Singer/Songwriter

Years Active: '60s, '70s, '80s, '90s, '00s

One of the most important figures in contemporary British folk, Bert Jansch brought an unsurpassed combination of virtuosity and eclecticism to the acoustic guitar, both as a solo act and a key member of Pentangle. Also a talented songwriter and affecting (if gruff) vocalist, he wrote dark and sparse material that recalled the folky side of Donovan, though he was much less pop-oriented than the psychedelic pop troubadour. Incorporating elements of blues, American folk, and British Isles traditional...
Full Bio

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