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Journey Through the Secret Life of Plants, Vol. 1 & 2

Stevie Wonder

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Album Review

Stevie Wonder broke a three-year silence, one that followed a series of six classic albums released within six years, with this double album, the score/soundtrack to a little-seen environmental documentary directed by Wild Bunch co-screenwriter Walon Green. From the release of Songs in the Key of Life through the release of Plants, Wonder had been active, actually, but only as a collaborator, working with Ramsey Lewis, the Pointer Sisters, Minnie Riperton, Syreeta, Ronnie Foster, and Michael Jackson. Even so, three years was a considerable lag between albums. Anticipation was so high that this release peaked at number four on the Billboard 200 and R&B album charts. It quickly slipped to footnote status; when Wonder’s 1972-1980 albums were reissued in 2000, it was left out of the program. Plants is a sprawling, fascinating album. Though it is dominated by synthesizer-heavy instrumental pieces with evocative titles, there is a handful of full-blown songs. The gorgeous, mostly acoustic ballad “Send One Your Love” was a Top Ten R&B single, while the joyous “Outside My Window” registered in the Top 60. Beyond that, there’s the deep classic “Come Back as a Flower,” a gently lapping, piano-led ballad featuring Syreeta on vocals. Otherwise, there are playfully oddball tracks like “Venus’ Flytrap and the Bug,” where Wonder chirps “Please don’t eat me!” through robotizing effects, and “A Seed’s a Star,” which incorporates crowd noise, a robotized monologue, and a shrieking Tata Vega over a funkier and faster version of Yellow Magic Orchestra. The album is not for everyone, but it suited its purpose and allowed its maker an amount of creative wiggle room that few major-label artists experience.

Customer Reviews

One of his most ambitious (and underrated) works ever

This set was the soundtrack to an obscure film by the same name (Journey through the secret life of plants). While the film was pretty terrible, the soundtrack that Stevie came up with has some of the most gorgeous work he's ever done. Even though it came out in (I believe) 1980, most of it still holds up very well today (with the exception of a few synth-heavy tracks that sound a little dated by today's standards). With layers and layers of stuff going on in many of the songs, this album lends itself to repeated listens. And especially check out "Come Back as a Flower". With vocals by the late, great Syreeta Wright (and Stevie singing background), it gets my vote as the prettiest song he's ever written.

Thoughtful Album.

This is one of the most favorable albums I listend to for years. It stays on your mind for ever. The lyrics are great, and Stevie Wonder is at his best.

Historical Prospective...

It's important to say that when first released, this album was considered a complete flop. Fresh off the heels of "Songs In The Key Of Life", arguably one of the greatest albums of all time, this album was no comparison. It was NOT marketed as a "Soundtrack" to a documentary which it in fact was, and early purchasers felt ripped-off at paying top dollar for "experiemental" work. It didn't help matters that the first single released from this album was "Send One Your Love" which could have easily been on "Songs/Life", so people obviously expected more of the same for the rest of the album. But that was not the case and part of the deception of Motown to capitalize on early sales. That said - This album IS absolutely brilliant. No, it not "Songs/Life", but it was never meant to be. It is a shame that artists get pidgeon-holed and are not allowed to experiment. This album deserves to be listened to with an open mind and judged on it's own merits.

Biography

Born: May 13, 1950 in Saginaw, MI

Genre: R&B/Soul

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. Blind virtually since birth, Wonder's heightened awareness of sound helped him create vibrant, colorful music teeming with life and ambition. Nearly everything he recorded bore the stamp of his sunny, joyous positivity; even when he addressed serious racial, social, and spiritual issues (which he did quite often in his prime), or sang about heartbreak and romantic uncertainty,...
Full Bio

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