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Kayah & Bregovic

Goran Bregovic & Kayah

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Album Review

With their sound lying somewhere between trip-hop and folk music, Kayah & Bregovic are one of the more unique acts to emerge out of Poland. Kayah had already been making electronic-based pop on her own before this teaming, but Bregovic adds a delicate warmth that her previous material was sorely lacking. Her beautiful croon makes a Björk-esque track like "Trudno Kochac" that much better, because she adds the icy balance to the strings and keyboards and keeps everything moving in the same direction. On the other hand, some of the weirder and experimental ideas seem to also come from her, as sounds like the bizarre, exotic ska of "Prawy Do Lewego" seem very rooted in her personality. But whatever direction the album takes, it all holds together due to the strong ideas these two musicians express on the ten tracks here. Anyone who can look past the language barrier can find a brooding, interesting album here that genre-hops without shame and presents a unique duo who hopefully has more albums in them.

Customer Reviews

Swietna muza, nic dodac, nic ujac :)

Jest to naprawde swietny album. Z rana przy sniadaniu z gazetka, ze znajomymi przy grillu na weekendzik. Przynzam sie tez ze czasami poskacze na parkiecie przy muzie Kayah chociaz na skaczacego na parkiecie nie wygladam :)

Biography

Genre: World

Years Active: '90s, '00s

Film composer Goran Bregovic was born in Sarajevo, Yugoslavia on March 22, 1950, beginning his music career in 1966 as the bassist with the local rock band Bestije. After a three-year stint as a member of Kodeks, in 1971 he joined the underground trio Mica, Goran and Zoran; three years later Bregovic founded Bijelo Dugme, one of Yugoslavia's most successful and influential bands until their breakup in 1988. He first turned to film work in 1978, composing the score to Mica Milosevic's Nije Nego; Bregovic's...
Full Bio

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