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Land of the Lost

Greyboy

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Album Review

Land of the Lost is an interesting collision of '60s dance jazz and '90s hip-hop. A tribute to his record collection and the "lost" musicians that inhabit it, this is much moodier than his earlier albums. Greyboy creates some haunting arrangements showcasing Karl Denson's sax and flute. The head-bopping "Parkside Bounce" is a pleasure, as well as other mold-breaking songs like "Avalanche" and "Outerlude." This album sticks to a formula which functions as its strength and weakness.

Customer Reviews

Just chillin'

For the fans of DJ Premier out there. You gotta check out Greyboy. I am digging that funk/jazz groove. Monster of an album. Must buy.

RELEASE YO' MIND

This release is an excellent album to sit back, relax, and enjoy the groove... In our current "American Idol" age it is hard to find artist that survive producing relaxing, jazzy, grooves. A must buy!

Friend

That's my friends twin. I met him. He's awsome.

Biography

Genre: Electronic

Years Active: '90s, '00s

San Diego producer and DJ Andreas Stevens, or Greyboy, was initially taken by hip-hop but — because he couldn't find any decent MCs to hook up with — shifted his attention to acid jazz. He was, in fact, the very first American producer to do so. And it was an inspired move. In 1994 Stevens served up his debut solo album, Freestylin', with the help of talented sax player Karl Denson. The offering became a cult hit, especially in acid jazz-hungry Europe. Released on the label Ubiquity,...
Full Bio
Land of the Lost, Greyboy
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