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Large As Life and Twice As Natural

Davy Graham

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Album Review

With the exception of 1964's Folk, Blues & Beyond, this is Graham's finest non-compilation album. It's also his most fully arranged and rock-influenced effort, with backing by a meaty ensemble featuring Danny Thompson (of Pentangle) on bass and British blues stalwarts Jon Hiseman and Dick Heckstall-Smith (Graham Bond, Colosseum) on drums and sax respectively. Even Graham's singing sounds better than usual. Graham offers some decent blues, but more interesting are his frequent excursions into raga folk-rock of sorts, especially on "Blue Raga" (learned from Ravi Shankar and Ali Akbar Khan). The raga-jazz interpretation of Joni Mitchell's "Both Sides Now," which moves from meditative opening drones into a freewheeling explosion of modal folk-rock is one of the highlights of Graham's career on record and one of the best expressions of his ability to make a standard his own. [AG's 2008 reissue featured new album art and replaced "Beautiful City" with a rare, untitled track.]

Customer Reviews

Wow!

What talent! Davy Graham may be one of those shoved-under-the-carpet-musicians, but for those who do get a chance to listen to him they will hear one of the best in listening pleasure.

Biography

Born: November 22, 1940 in Leicester, England

Genre: Singer/Songwriter

Years Active: '60s, '70s, '80s, '90s, '00s

Davy Graham was one of the most eclectic guitarists of the 1960s, and his mixture of folk, blues, jazz, Middle Eastern sounds, and Indian ragas was an important catalyst of the British folk scene. Like Sandy Bull and John Fahey — two folk-based guitarists with a similar taste for genre-bending experimentation — Graham could not be said to be a rock musician. But like Bull and Fahey, he shared the eagerness of the '60s psychedelic rockers to stretch out and incorporate unpredictable influences...
Full Bio

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