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Let Me Come Home

Broken Records

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iTunes Review

Broken Records’ second album, Let Me Come Home, scales back on the grandeur of its debut, Until the Earth Begins to Part, but still retains the strong melodies and adventurous arrangements to make an album that can still find the dramatic arc. “A Leaving Song” crafts an anthem that sounds like American Music Club’s Mark Eitzel fronting a band that has listened to Travis. The rhythmic tumble of “Modern Worksong,” the imagistic tones of “Dia Dos Namarados!” and the heavenly tones of “The Motorcycle Boy Reigns” reflect an entire catalog of influences and still comes out as only these fine citizens of Edinburgh, Scotland can manage. The extra piano push of “A Darkness Rises Up” chases the band into a corner bar. “Ailene” aches with battlefield cry of U2 or the Waterboys. “I Used to Dream” is the reflective ballad. “You Know You’re Not Dead” reflects a Springsteen-esque delivery and stream of hope. “The Cracks In the Wall” turns towards the stark apocalypse of Chris Isaak.

Customer Reviews

Fantastic!

Great follow up to Until The Earth Begins to Part, although I wish that they would have more instrumental pieces on this album similar to "A Promise", "Wolves" and "Nearly Home". For me, "I Used to Dream" is the standout from the album, it is truly heartbreaking.

So Enjoyable

I was just introduced to Broken Records on The World Cafe - lovely!

Biography

Formed: December, 2006 in Edinburgh, Scotland

Genre: Alternative

Years Active: '00s, '10s

Formed in 2006 around the talents of Arne Kolb, Ian Turnbull, David Fothergill, Jamie Sutherland, Rory Sutherland, Dave Smith, and Andrew Keeney, the emotionally charged Edinburgh, Scotland-based indie rock outfit Broken Records have drawn comparisons to everyone from the Arcade Fire to Jeff Buckley. Employing a musical arsenal that includes guitars, bass, violin, cello, accordion, mandolin, piano, trumpet, glockenspiel, and drums, the soaring septet released its self-titled debut EP in 2007 to the...
Full Bio

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