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Let's Go Everywhere

Medeski, Martin & Wood

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Album Review

Medeski, Martin & Wood have always considered their music as being for the kid in all of us, no matter our age. For Let's Go Everywhere, they really emphasize the childlike approach to music-making, staying fun and funky while adapting various tunes of adolescence and inventing a few silly songs of their own. With help from grown-up vocalists and selected children, MMW take liberties in their musical image by relating to the playful, nonchalant, and carefree innocence of youth. The title track is a great example of being a rascal without devilish or campy affectations, as singer Tim Ingham modifies and extends the lyrics to the famous Johnny Cash tune "I've Been Everywhere," replete with handclapping. The scrubbing song "Pirates Don't Take Baths" is hilarious, in a shuffle with Ingham and Medeski's piano; "On an Airplane" goofs it up more as Chris Wood sings or plays harmonica; while "The Train Song" gains speed in a sly New Orleans-tinged tango, with Oliver Wood's bluesy vocalizing. Dr. John would likely be amused by "Let's Go" in an old-style Crescent City groove; there's a 6/8 Latin version of "Hickory Dickory Dock" with spoken lyrics by Lindsay Dyer alongside only Billy Martin's drumming; and "Pat a Cake" is a kid's rap with Martin pounding out the funk. Few instrumentals crop up, but "Cat Creeps" provides Medeski with an opportunity to use at least three keyboards — one a Farfisa organ — in choogling stairstep motion, but for "Far East Sweets" (for Haribo candies?) the sound is koto-like, Asian-derived and mysterious. Perhaps "Where's the Music," with its tacit sections waiting for the children to yell out the title refrain, speaks out the best not only on the attitude of how youth music is invisible, but also on where the core of MMW's organ funk music lies. Although not attempting to be Sharon, Lois & Bram, Raffi, or (thankfully) Barney, Medeski, Martin & Wood have struck a chord with their inner child, while presenting music that any growing toddler, tween, or teen can relate to. ~ Michael G. Nastos, Rovi

Customer Reviews

Relax, it's a children's album and a good one at that ...

For everyone criticizing this album, you're obviously not the intended audience. This album was written for children, and spelled out very clearly as such on MMW's website. Unlike much of the children's genre, it's not dumbed down or plagued with lazily written melodies and annoying lyrics that induce bouts of road rage. MMW infused this album with a great sense of fun with some very witty lyrics, and it doesn't insult your intelligence or musical sense. It's not as edgy as their other albums, but it's not supposed to be. My 10 month old daughter absolutely loves this album, and it's probably safe to say that it's her favorite MMW album. I'm glad that she has taken a liking to this, and hopefully it will help her develop her musical appreciation at an early age!

MMW is still keepin it real

don't be fooled by the "album meant for children". MMW's theoretical jazz grooves will get you adults dancing, while making your kids smarter. This is another stepping stone for MMW, and they're still shuckin' it up

An Adventure

I just listened to the album in its entirety and have to say that this must have been fun for MMW. Not that their other albums have not been but this album does take a turn that is not seen usually in their music. They add lyrics or what you could consider lyrics that give off a very friendly and fun feeling. Childrens voices are used alot which makes me wonder if this was not ment to be in the ears of children--but aren't we all children every now and then? I give it two thumbs and will do my part in the spreading of this album about.

Biography

Formed: 1992

Genre: Jazz

Years Active: '90s, '00s, '10s

A group that effortlessly straddles the gap between avant-garde improvisation and accessible groove-based jazz, Medeski, Martin & Wood have simultaneously earned standings as relentlessly innovative musicians and as an enormously popular act. Emerging out of the New York downtown scene in the early '90s, MMW soon set out on endless cross-country tours before returning home to Manhattan to further refine their sound through myriad influential experimentations. Each of the musicians — keyboardist...
Full Bio

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