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Live At the Old Waldorf (San Francisco, 6/29/78) [Remastered]

Television

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Album Review

Television were generally regarded as the precise and arty guys of the original New York punk scene — enough so that some have (rather pointlessly) questioned just what they had to do with the punk rock aesthetic — but while the clean lines and gleaming surfaces of Marquee Moon and Adventure might have inspired such thought, the band's live show told a different story. While they lacked the bash-it-out ferocity of the Ramones or the Dead Boys, on-stage Television played a lot harder and looser than they did in the studio; the guitar interplay between Tom Verlaine and Richard Lloyd gained much grit and muscle (and Lloyd was given significantly more space to show what he could do), and drummer Billy Ficca and Fred Smith weren't afraid to turn up the heat and add greater color and body to the songs. While the splendid "authorized bootleg" The Blow-Up is likely to remain the definitive document of Television's awe-inspiring live prowess, Live at the Old Waldorf — a professional recording of a 1978 San Francisco date on the band's last tour before their 1992 reunion — runs a very close second, and the superior sound quality allows one to better appreciate the subtle textures lurking beneath Verlaine and Lloyd's Stratocaster firepower. The Blow-Up preserves a longer and more enthusiastic performance from Television, while Live at the Old Waldorf finds them playing for a rather chilly away-from-home audience, but the band seems determined to show just what it can do, and these versions of "The Dream's Dream," "Little Johnny Jewel," and "Marquee Moon" are pure joy for guitar aficionados. Rhino Handmade are to be congratulated for finally giving this oft-bootlegged recording the authorized release it deserves, and providing still more evidence of Television's enduring brilliance and innovation — 25 years after this set was played, Live at the Old Waldorf still sounds fresher and more exciting than most anything you're likely to see at a rock club on a given evening.

Customer Reviews

A Must Have For Any Music Lover

The NYC Punk (ugghh! That word again!!) scene was done by the time all the bands started making records. To try and capture the flavor of that time is nearly impossible. The closest would probably be something like this...or any boot you can uncover of Television Live. As a frequent visitor to CB's, the one thing that sticks out in my mind is that the bands that deserved to be famous never got the deserved recognition (other than critical acclaim) while, the mediocre bands got famous and sold millions of albums. Check this record out to hear one of the few great rock and roll bands of all time. They did it all! Hard drivin' psychedelic R&R with improvisation and searing, cuttinig gutair work that is revered to this day by affecianados and fans alike. A must have for a bargin price.

If the Grateful Dead were a punk(!?!) band...

this is what they'd sound like. And, I don't mean that as an insult. Television are no more punk than Patti Smith. They were (are) both much more talented than what was happening around them. But, I sure wish they had stuck it out with Richard Hell. An amazing (way out-of-print and now way-overpriced) nugget from the fine people at Rhino Handmade. This thing is a steal, for the price. Couple this, with some choice cuts from the Velvet's Quine Tapes album, and the Stooges' Complete Funhouse Session box, and you've got the soundtrack to a friday night at the best disco in hell.

A great live album

Television was one of those punk bands with a short but deeply influential career, and this live recording ranks with their very best stuff. It catches them on a night when they were firing on every piston, when every foray into improvisation feels just perfect, especially on stellar cuts like "Little Johnny Jewel" and "Marquee Moon." It's a very intimate record, even though it's not as raucous as "The Blow Up," their other (also superb) live record from this time period. There's not a lot of crowd to it, not a lot of whoops and hollers. Rather, there's something very precise about the performance. It's loose, but never sloppy; there isn't a wasted second on the whole record. As live albums go, I rank this on par with the Velvet Underground's 1969. In other words, as good as it gets.

Biography

Formed: 1973 in New York, NY

Genre: Rock

Years Active: '70s, '90s, '00s

Television were one of the most creative bands to emerge from New York's punk scene of the mid-'70s, creating an influential new guitar vocabulary. While guitarists Tom Verlaine and Richard Lloyd liked to jam, they didn't follow the accepted rock structures for improvisation — they removed the blues while retaining the raw energy of garage rock, adding complex, lyrical solo lines that recalled both jazz and rock. With its angular rhythms and fluid leads, Television's...
Full Bio

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