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Live At the Fillmore West

King Curtis

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Album Review

Recorded in front of an enthusiastic audience and released just one week before Curtis' murder in 1971, Live at Fillmore West is a brilliant confirmation of the saxophonist's place in popular music. Backed up by Atlantic's top session men, as well as Billy Preston and the Memphis Horns, Curtis rips through some of the biggest hits of the day, transforming them into showcases for his soulful playing and the group's outstanding rhythmic interplay. Beautiful renditions of "A Whiter Shade of Pale" and "I Stand Accused" are highlights, but it's full-throttle rockers like "Changes" and "Memphis Soul Stew" that comprise the heart of the album. Curtis occasionally gets lost in the mix, but it doesn't matter; with so much great music going on, you probably won't notice.

Biography

Born: February 7, 1934 in Fort Worth, TX

Genre: Jazz

Years Active: '50s, '60s, '70s

King Curtis was the last of the great R&B tenor sax giants. He came to prominence in the mid-'50s as a session musician in New York, recording, at one time or another, for most East Coast R&B labels. A long association with Atlantic/Atco began in 1958, especially on recordings by the Coasters. He recorded singles for many small labels in the '50s — his own Atco sessions (1958-1959), then Prestige/New Jazz and Prestige/TruSound for jazz and R&B albums (1960-1961). Curtis also had...
Full Bio

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