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Who I Am

Alan Jackson

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  Name Artist Time Price  
1
Summertime Blues Alan Jackson 3:12 $0.99 View In iTunes
2
Livin' On Love Alan Jackson 3:49 $1.29 View In iTunes
3
Hole In the Wall Alan Jackson 3:34 $0.99 View In iTunes
4
Gone Country Alan Jackson 4:20 $1.29 View In iTunes
5
Who I Am Alan Jackson 2:47 $0.99 View In iTunes
6
You Can't Give Up On Love Alan Jackson 3:07 $0.99 View In iTunes
7
I Don't Even Know Your Name Alan Jackson 3:50 $0.99 View In iTunes
8
Song for the Life Alan Jackson 4:33 $0.99 View In iTunes
9
Thank God for the Radio Alan Jackson 3:19 $0.99 View In iTunes
10
All American Country Boy Alan Jackson 3:19 $0.99 View In iTunes
11
Job Description Alan Jackson 4:42 $0.99 View In iTunes
12
If I Had You Alan Jackson 3:33 $0.99 View In iTunes
13
Let's Get Back to Me and You Alan Jackson 2:53 $0.99 View In iTunes

iTunes Review

There isn’t a weak moment on Alan Jackson’s 1994 effort Who I Am. Most of the songs are acoustic-based, and regardless of the subject matter Jackson delivers with a gentle, steadfast tone. In “Livin’ On Love,” “You Can’t Give Up On Love” and “Let’s Get Back to You and Me,” Jackson leaves behind the usual country conceits — cheating, abandonment, regret — and instead offers sweet and generous words, no strings attached. Even when Jackson plays the fallen man, as on the title song, he does it with grace: “And I know what I put you through / Is hard upon your heart / And it's just that you're concerned for me / Sweetheart, I understand / You do the best you can with who I am.” Jackson shows his romantic nature on Who I Am, but it’s far from a sappy affair. In addition to a perfect two-step interpretation of Eddie Cochran’s “Summertime Blues,” “I Don’t Even Know Your Name” and “Let’s Get Back To Me and You” alight with whip-cracking guitar solos and Bakersfield grit.

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Biography

Born: October, 1958 in Newnan, GA

Genre: Country

Years Active: '90s, '00s

After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. Jackson's hallmark was consistency — he wrote many of his own hits, and his way with a hook was part of the reason he never really hit a commercial dry spell, even into the new millennium. He also projected a modest, wholesome, down-to-earth...
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