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Album Review

Look is the album Beth Nielsen Chapman was working on when she released Hymns (part of her long-term project documenting the world's religious music). One of her finest qualities as an artist is that you can see exactly where she's at in each album. Unlike most songwriters, she makes no attempt to mask or detach herself from her own life in her work. Look is a collection of solidly constructed, emotionally taut love songs that examines a relationship from its initial attraction to its full fruition to its dissolution and back again. And while these are deeply romantic tunes, they are far from giddy or sentimental. Chapman co-produced Look with Peter Collins, and Annie Roboff. She collaborated with a group of fine songwriters, too, including Harlan Howard, Eric Kaz, Roboff, Patrick Doyle, Bill Lloyd, David Wilcox, and even Andy Bey. It's a big, wide-open record that rings even in its quietest moments. It sounds more like Franklin, Tennessee than Nashville. These 11 songs run the gamut from the spare pop balladry of the opener "Trying to Love You" — an awesome testament to the graininess of love's stages in the everyday life of a committed couple — to the finger-popping R&B of "Right Back Into the Feeling" that celebrates the fun in passion. It's one of two tracks on which Michael McDonald contributes backing vocals. "Free," written with Roboff, is a rhythm-driven rocker as testament to personal liberation with an African backbeat. "Time Won't Tell," written with Howard, is an honest to goodness country song, and it's one of the collection's stellar tracks. A broken love song, Chapman's water-like vocal is backed by a lilting pedal steel, and open, reedy acoustic guitars, John Catchings' cello and McDonald's backing vocal. They help crack open the emotion from the song's core and bring it to the fore, letting it fall freely. Look is another leap forward in aesthetic excellence for a diverse, savvy songwriter who never flinches in exposing the vulnerable, the dark, and the difficult while never giving into them, instead surrounding them with streams of light and a wonderful ability to share these things with consummate craft and accessibility. Look is full of grace and mystery. ~Thom Jurek, Rovi

Customer Reviews

So Compelling

I've been a fan of Beth Nielsen Chapman and actually went looking for something new after playing Sand and Water (really excellent) after not having heard it in a while. In her usual way, this album shows her ability to write honest and heartfelt work. The compelling part is the relationships she is examining. Somehow, they seem close to home. Her work always causes me to reflect and this album is no exception. Her work is so human. It might be worth noting though, I think the genre classification is incorrect. This is not a Gospel album. The samples of the songs should be enough to confirm that.

LOOK

SHE STANDS ALONE IN A SEA OF ARTISTS AND COMPOSERS ONLY DREAMING TO TOUCH WHAT SHE IS. SHE WRITES BOLDLY YET WITH SUCH A GENTLE HAND. ONLY THE CHOSEN FEW CAN ENJOY HER EXPRESSION AS IT IS NOT FOR THE MASSES TO APPRECIATE, BUT FOR ME IT IS THE ULTIMATE MUSICAL,EMOTION EXPRESSION. SHE STANDS ABOVE IT ALL. IF ONLY WE ALL COULD APPRECIATE IT, HOW MUCH BETTER WE ALL WOULD BE.

Biography

Born: September 14, 1956 in Harlingen, TX

Genre: Country

Years Active: '90s

A talented artist in her own right, scoring a number of adult contemporary radio hits, Beth Nielsen Chapman rose to prominence as a successful songwriter, penning a string of songs that would earn their performers hits on both pop and country radio. Born in Harlington, TX, Chapman spent her youth moving frequently due to her father's Air Force career. Teaching herself to play guitar on an instrument that was intended as a gift for her father, Chapman wrote her first song at age 11. While singing...
Full Bio

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