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Maybe These Are the Breaks

Masters of the Hemisphere

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iTunes Review

Masters of the Hemisphere haven’t put out a record since breaking up shortly after 2002’s Protest of a Dark Anniversary: a jangly pop outing that seemed poised to launch the Atlanta group to alt-rock stardom. Here we are, nine years later, with a regrouping, a tour, and a sturdy collection of radio-friendly tunes. Given that indie bands like Vampire Weekend and Arcade Fire blazed a path to more commercial arenas while MOTH was on hiatus, it would seem like a no-brainer to hear tracks like the breezy, shimmering “Eggshell” or “In the Volcano” next to one of those bands on the radio. Tropical percussion and sunny vocals belie the tale of woe on “Slaughterhouse Island,” and a playful take at country on “Half a Fool” is a better fit than the faux-reggae vibe of “One More Time.” The winsome, airy harmonies of Bren Mead and Sean Rawls sound as easy and natural as vintage pop giants like The Association and Hall & Oates did back in the day. It’s worth getting lost in a time warp while listening to Maybe These Are the Breaks—and some days, that’s just what we need. 

Biography

Genre: Alternative

Years Active: '90s, '00s, '10s

Athens, Georgia-based indie pop combo Masters of the Hemisphere were founded in 1996 by singers/songwriters Sean Rawls and Bren Mead, longtime friends who by high school were already veterans of a series of bands including Jasper's Arm, Vetran, Volcano Clutch, Eat Rice on Friday, and Linus, many of them documented on cassettes released via the teen duo's Everybody's Wearing Them label. When Mead's family relocated to New Mexico, he and Rawls continued writing and recording independently, planning...
Full Bio
Maybe These Are the Breaks, Masters of the Hemisphere
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