Fracture: The Music of Pat Muchmore
Anti-Social Music
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| Name | Artist | Time | Price | ||
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1 |
gumdrops and kittens | Anti-Social Music | 1:48 | $0.99 | View In iTunes |
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2 |
al-Gharaniq II:}{:Fracture IV | Anti-Social Music | 11:23 | Album Only | View In iTunes |
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3 |
shitfuckcumbastard | Anti-Social Music | 7:01 | $0.99 | View In iTunes |
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4 |
THS (PortRait_7,**NY06) | Anti-Social Music | 11:09 | Album Only | View In iTunes |
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5 |
brokenAphorisms_12-14: bA_12[+=]..pehteurdeosk/pehteurdeosk/pshfearressit | Anti-Social Music | 3:06 | $0.99 | View In iTunes |
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6 |
brokenAphorisms_12-14: bA_13..eptheudroeks/*/seftaurdsoikt | Anti-Social Music | 2:24 | $0.99 | View In iTunes |
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7 |
brokenAphorisms_12-14: bA_14[-=]..seftaurdsoikt/spfhaerrseist/sepfthauerdrsoeikst | Anti-Social Music | 2:31 | $0.99 | View In iTunes |
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8 |
String Quartet No. 2 | Anti-Social Music | 14:28 | Album Only | View In iTunes |
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9 |
brokenAphorism_15[-=] (ghrmrooouctbiaknltegeete) | Anti-Social Music | 4:30 | $0.99 | View In iTunes |
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10 |
p@1i/\/\p$35+ β:}{:brokenAphorisms_7-11: I.:}{:bA_7..melody/perpetuo/impetuous/austere | Anti-Social Music | 1:26 | $0.99 | View In iTunes |
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11 |
p@1i/\/\p$35+ β:}{:brokenAphorisms_7-11: bA_8..MaustEere/iLpmeprepOteutoDuuosY | Anti-Social Music | 1:18 | $0.99 | View In iTunes |
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12 |
p@1i/\/\p$35+ β:}{:brokenAphorisms_7-11: bA_9..pmeerlpoedtyuo/melo:}II.{:dy/infect | Anti-Social Music | 2:15 | $0.99 | View In iTunes |
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13 |
p@1i/\/\p$35+ β:}{:brokenAphorisms_7-11: bA_10..aiunsfteecrte/mechanism/austere | Anti-Social Music | 1:49 | $0.99 | View In iTunes |
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14 |
p@1i/\/\p$35+ β:}{:brokenAphorisms_7-11: ba_11..austere/infext/mechanism | Anti-Social Music | 1:43 | $0.99 | View In iTunes |
| Total: 14 Songs |
Album Review
The opening track on the rebel chamber music ensemble Anti-Social Music's debut album Sings the Great American Songbook (2005) was "Fracture II," a composition by cellist Pat Muchmore. The group's second release turns out to be entirely devoted to that composer's music. It's a good thing too, for Muchmore's soundworld requires some time to get into and fully explore. You see, the man's art is multi-versed, schizophrenic, and often intentionally misleading: ten minutes is not enough to let you grasp it. Fracture: The Music of Pat Muchmore is a thrilling, exhilarating, 70-minute journey through music many would qualify as mad or chaotic. Arguing that would be a moot point, but the fact is that, in time, this haphazardness — themes cut short, mood swings, brutal interpolations — becomes structural and produces its own meaning. That, and it doesn't prevent the existence of some beautiful, quiet passages (In "Fracture IV" and "String Quartet No. 2," in particular). The album features several works, the bulk of them being parts of the "Broken Aphorisms" suite. Numbers 12-14, 15, and 7-11 are included, in that order, although "Broken Aphorisms 7-11" are presented as part of a meta composition, or alongside another composition entitled "Palimpsest Beta" (though the title is actually written as "P@LiMp$35+ _: )"). They are all short (under five minutes) and explore simple, interconnected ideas. However, the real draw of the album is found in its first four pieces (all presented before the first group of aphorisms), and especially "Fracture IV" and "__ (PortRait__7,"NY06)", two long, complex, disrhythmical pieces. At the opposite end of the spectrum is the gentle though far from sedate "String Quartet No. 2," the longest piece on the album at 15 minutes. Fracture: The Music of Pat Muchmore is definitely not an easy listen, but it rewards as much as it shocks, and it sustains deeper analysis, revealing both a unique personal universe and an ensemble with an impressive set of music skills. Recommended. ~ François Couture, Rovi
Customer Reviews
One of the Few Albums That Does Not Cause Cancer
Pat Muchmore's music is really engaging and also really bizarre, and the music's personality alone is enough to make you feel rewarded for listening. But also, each piece is like a labyrinth. There are different ways out and different ways through, and part of the fun of listening is guessing what paths Muchmore and the musicians will take. (When they hit a dead-end, all bets are off, and all rules go out the window.) But wherever they end up, it's almost always somewhere surprising and sublime.
Muchmore, please
Great music that shows a strong composer complemented by excellent musicians. "Fracture" pieces particularly enjoyable, despite the fact that King Crimson (and several of my orthopedic surgeons) have already used that title. The Antisocial musicians on the disc are a memorable live act.
Where is the tuba?
Pat's music is some of the most sensual audio my ears have come across in some time. Everything he does is simply pure joy that will certainly bring about world peace in the next three decades. I seriously urge you to listen to this album and love it for exactly what it is, the tightest Brit Rock album of our time.
