Nankuru Naisa
Takashi Hirayasu & Bob Brozman
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| Name | Artist | Time | Price | ||
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1 |
Jidai No Nagare | Takashi Hirayasu & Bob Brozman | 3:27 | $0.99 | View In iTunes |
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2 |
Koza No Machi | Takashi Hirayasu & Bob Brozman | 4:51 | $0.99 | View In iTunes |
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3 |
Haha No Uta | Takashi Hirayasu & Bob Brozman | 3:51 | $0.99 | View In iTunes |
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4 |
Nankuru Naisa | Takashi Hirayasu & Bob Brozman | 5:06 | $0.99 | View In iTunes |
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5 |
Tojo Nite | Takashi Hirayasu & Bob Brozman | 6:22 | $0.99 | View In iTunes |
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6 |
Chim Don Don | Takashi Hirayasu & Bob Brozman | 3:30 | $0.99 | View In iTunes |
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7 |
Aitaina | Takashi Hirayasu & Bob Brozman | 5:36 | $0.99 | View In iTunes |
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8 |
Mensoreyo - Toshin Doi | Takashi Hirayasu & Bob Brozman | 4:24 | $0.99 | View In iTunes |
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9 |
Ayagu | Takashi Hirayasu & Bob Brozman | 5:01 | $0.99 | View In iTunes |
| Total: 9 Songs |
Album Review
Takashi Hirayasu and Bob Brozman's first collaboration, Jin Jin/Firefly, was such a creative triumph that one hoped the two would someday meet again. Thankfully, it didn't take Okinawan singer/sanshin player Hirayasu and American guitarist Brozman five or ten years to get back together. Jin Jin/Firefly was recorded in 1999, and their next studio encounter, Nankuru Naisa, is a 2001 release. Although the acoustic-oriented albums have some things in common — both combine Okinawan music with elements of rock, blues, and Hawaiian music — Nankuru Naisa is hardly a carbon copy of its predecessor. While Jin Jin/Firefly found Hirayasu and Brozman putting their own spin on traditional Okinawan children's songs, Nankuru Naisa is dominated by Hirayasu's own compositions. This CD only contains two traditional Okinawan songs: "Ayagu" and "Chim Don Don," a familiar melody that Hirayasu wrote lyrics for. One of the musicians who joins Hirayasu and Brozman on some of the material is Mexican-American guitarist David Hidalgo, the fearless leader of Los Lobos since 1973. Hidalgo, who plays accordion on "Aitaina" and requinto guitar on other tracks, is an eclectic, broad-minded player who is well-versed in rock as well as a variety of Latin music — he isn't afraid of a musical challenge, and he demonstrates that Mexican touches can work well on an album with an Okinawan foundation. While Nankuru Naisa is excellent, it isn't long enough — the disc is only 42 minutes long, and one regrets the fact that Hirayasu and Brozman don't provide another half-hour's worth of material. But that's the only thing that's regrettable about this album, which is as charming as it is risk-taking.
Biography
Born: March 8, 1954 in New York, NY
Genre: World
Years Active: '80s, '90s, '00s
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1 |
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