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Noah's Ark

CocoRosie

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Album Review

After hearing Noah's Ark, any concerns about CocoRosie becoming too tasteful or straightforward after the widespread critical acclaim for their debut album, La Maison de Mon Reve, can be put to rest. If anything, the album errs in the opposite direction: alternately rambling and hypnotic, it's much more somber and insular (despite the presence of such kindred spirits as Devendra Banhart and Antony of Antony & the Johnsons) than the duo's subversively angelic-sounding debut. La Maison de Mon Reve certainly had a dark undercurrent that added considerable sting to its sweetness, but it's much more prominent on Noah's Ark; sad, eerie lyrics like "K-Hole"'s "All of the aborted babies will turn into little Bambies" are paired with equally spooky, mournful music instead of the deceptively light tones of the group's first album. There's a lot of power in the album's darkness, particularly on the apocalyptic campfire singalong "Armageddon." However, Noah's Ark occasionally feels too mannered and unfocused, and overly reliant on the sound effects and toy instruments that made their first album so surreally charming: in particular, interludes like "Milk" and "Bear Hides and Buffalo" sound like noise collages missing the key pieces that would hold them together. That said, the album still has many moments of transporting beauty, especially on the songs that feel less cloistered. On "Beautiful Boyz," Antony's gorgeous croon adds a touch of cabaret to the song's tale of star-crossed jailhouse love, and Banhart's Spanish-language mysticism on "Brazilian Sun" advances CocoRosie's dreamy exoticism, giving it a more organic feel than it had on La Maison de Mon Reve. Indeed, the more natural moments on Noah's Ark are often the best: the title track, "South 2nd," and "The Sea Is Calm" all put the focus on the Casady sisters' delicate singing and playing. A disappointment mostly in comparison to the seemingly out-of-nowhere brilliance of La Maison de Mon Reve, Noah's Ark might fail to charm those not already bewitched by that album, but it won't break the spell for devoted fans.

Customer Reviews

Taken Away

This album takes you on a trip through beautifully haunted waters, as if on the half-submerged Molly Aida of Fitzcarraldo, drifting slowly among lonesome and fragmented animal sounds, lovingly stewarded by the two songmistresses of CocoRosie who have one soothing and one strangely inhuman voice. The title song is the explicit narration to this tour; we are an animal that has been kidnapped by Noah's Ark and now are caged and part of the menagerie. It is a strange current, and we are sometimes pulled into sleepy eddies of captivating sounds; a kitten mewing for attention in "Bear Hides and Buffalo", or the wonderful queen's voice singing about sailors' tattoos in "Beautiful Boyz", or a French rap. For the most part, this album drifts seemingly aimlessly, a "sound"seeing tour of delicious dreamy bluriness which like any travel vacation (or kidnapping) has its lulls, but it has enough spectacle and curious magic along the way to make us wish it would not end.

A Trip Worth Taking

This is freak folk of the highest order. This album is beautiful and somewhat scary - - it takes you on a trip with novel instrumentation. Not for the casual listener, but a must have for all who appreciate outsider music done with deft originality. Plus, the album cover artwork is killer!

cocorockin'

Thick with atmosphere, the beginnings and endings of songs are diluted and connected by a dream-like substance. A comfortable place for those who are willing to find it. It's unfortunate that the "quirkiness" of CocoRosie is sometimes overly emphasized. Look beyond the strangeness and you will see it for what it is: beautiful.

Biography

Formed: 2003

Genre: Alternative

Years Active: '00s, '10s

The luminously lovely indie folk-tronic duo CocoRosie consists of the Casady sisters, vocalist/guitarist/harpist Sierra and vocalist/percussionist Bianca. Both sisters had an early love of music that they pursued as they grew up, albeit in different ways: Sierra began operatic vocal training while she was in high school, while Bianca sang and wrote songs but kept them to herself. That is, until she reconnected with Sierra, who joined Bianca at her Paris apartment, and they started playing and recording...
Full Bio

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