Now That Everything's Been Said
The City
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| Name | Artist | Time | Price | ||
|---|---|---|---|---|---|
|
1 |
Snow Queen | The City | 4:13 | $0.99 | View In iTunes |
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2 |
I Wasn't Born to Follow | The City | 3:46 | $0.99 | View In iTunes |
|
3 |
Now That Everything's Been Said | The City | 2:21 | $0.99 | View In iTunes |
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4 |
Paradise Alley | The City | 3:06 | $0.99 | View In iTunes |
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5 |
Man Without a Dream | The City | 3:51 | $0.99 | View In iTunes |
|
6 |
Victim of Circumstance | The City | 2:36 | $0.99 | View In iTunes |
|
7 |
Why Are You Leaving | The City | 3:38 | $0.99 | View In iTunes |
|
8 |
Lady | The City | 3:00 | $0.99 | View In iTunes |
|
9 |
My Sweet Home | The City | 3:12 | $0.99 | View In iTunes |
|
10 |
I Don't Believe It | The City | 2:43 | $0.99 | View In iTunes |
|
11 |
That Old Sweet Roll (Hi-De-Ho) | The City | 3:22 | $0.99 | View In iTunes |
|
12 |
All My Time | The City | 3:17 | $0.99 | View In iTunes |
| Total: 12 Songs |
Album Review
The 1999 Ode/Epic/Legacy CD reissue of this album marks its first appearance in the American catalog since 1969, when a switch of distributors by Ode, from Columbia to A&M, ended up getting it deleted prematurely. The original LP became a collector's item with a triple-digit price and was even bootlegged with a bad black-and-white reproduction of the original jacket. It was briefly in print on CD in Japan during the early 1990s, but this reissue is an improvement — King lacked some confidence, and this remastering captures the subtle, deep, expressive aspect of King's singing, which was easy to lose, especially because King sometimes sounds a little outnumbered, trying to work within a "group" context. The City has more of an integrated ensemble sound, and less prominence to King, than her subsequent records, even though she used bigger backing groups on most of her solo sides. The new CD squeezes the best out of her voice (and piano, which sounds gloriously resonant) as it existed then. The soft but clear, gently tapped percussion in the opening seconds of "Snow Queen," and the close-up twang and crunch of Danny Kortchmar's guitar on "Wasn't Born to Follow," also enhance the listening. King wasn't yet filling her albums wall-to-wall with memorable songs, and there's some material here that might better have been held back at the time, but this release is the best way to hear this record.
Customer Reviews
Carole King's launching pad for her solo career
The City consisted of pianist Carole King, her bassist/husband Charles Larkey, and up-and-coming guitarist Danny Kortchmar. Kortchmar, of course, would go on to have thriving career as session guitarist for James Taylor, Linda Ronstadt, Jackson Browne, and others. Kortchmar also went on to co-write songs with Jackson Browne and Don Henley and play with other notable session artists in the group The Section. Kortchmar's two songs on the album, on which he also sings, "A Man Without a Dream" and "Sweet Home" are okay but don't compare well with King's compositions. And The City definitely represented King's launching pad that would lead to her successful solo career, beginning with the equally wrongly neglected Writer and, of course, the incredibly successful, almost perfect Tapestry. It's easy to see why King (like Linda Ronstadt, then playing with The Stone Poneys) would move into a solo career. Her voice and presence (like Ronstadt's) just doesn't fit well in a back-up vocal role, even if it's only sometimes.
Most of the songs on the album are King compositions, composed with lyricist Gerry Goffin. Goffin and King were already established songwriters by 1968, when this album appeared. The masterpiece of the album is clearly "Snow Queen," which should have been a huge hit for the group but wasn't. "Snow Queen" was covered nicely by Roger Nichols and Small Circle of Friends and then by the Association on their otherwise not very interesting Waterbeds in Trinidad album. Other standouts on The City's album include "I Wasn't Born to Follow" (covered as a psychedelic country composition by the Byrds), "Now That Everything's Been Said," "Paradise Alley," "Victim of Circumstance," and the earliest recording of "Hi-De-Ho" (originally titled "That Old Sweet Roll," made famous by Blood, Sweat, & Tears). It's amazing how little Carole King's songwriting and voice have changed over 40+ years.
Certainly, this is a must for any Carole King collector, but for those newcomers to King's work, it really should be a 3rd or 4th pick. Tapestry should be the first. Writer, the second, maybe her greatest hits next. But certainly The City after that.
Biography
Formed: 1968
Genre: Pop
Years Active: '60s
Top Albums and Songs By The City

- $9.99
- Genres: Pop, Music, Rock, Singer/Songwriter, Soft Rock
- Released: 1969
- ℗ 1968 Ode Records






