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OJ Simpson

Guilty Simpson

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Album Review

Previewed on the first volume of producer Madlib’s series of Medicine Show releases, the final, official OJ Simpson album is just a bit more straightforward than the meandering mixtape that preceded it. Guilty Simpson may be the only one billed but this is really a collaborative effort, as the rapper doesn’t even utter a word until track three, following two tracks of Madlib’s Richard Pryor and blaxploitation-sampling soundscapes. Know that, and the Stones Throw fan should be satisfied with the release, as it offers the usual Simpson toughness and the usual Madlib dirty funk along with a couple surprises, such as Lib at his chilliest during “A Friend’s Help Interlude.” Simpson has grown two ways at once as he pumps up the aggression on the title track and elsewhere while offering some restrained wisdom on tracks like the game commentary “Hood Sentence,” which addresses the burden of underground rap fame with “I put them in their best clothes/Family crying out ‘front row’/Fresh rolls, playing with my escrow/On death row, hood sentence, good riddance.” Take out the Madlib bits and it’s an incredibly strong Simpson album, although a lesser album as a whole. Approach it as a Stones Throw release that leans toward the Lib or maybe Medicine Show No. 1.5 and it delivers.

Customer Reviews

OJ Simpson = OJ - Otis Jackson (Madlib

Initially, I wasn't really sure what to think of Madlib's beats (dope as usual) paired with Guilty's rugged (and I mean rugged) style. I gave it a few spins, and the more I listened to it, I found how cohesive this album is. The beats are on par to the legend that is Madlib. He has the Medicine show dropping sick beats, and then add this to his 2010 haul, and he's having a great year. As for Guilty Simpson, he's becoming one of my favorite emcees. His style is as hard as it gets and he brings it.

Overall, it's amazing to see how versatile Madlib is to change his style to suit the strengths of Guilty's delivery and flow. It's really a great album. The constant interludes are a bit unnecessary, but I'm not too surprised since Madlib shows his beat-making prowess on them. I wish there were less of them and more Guilty, but it's still a top notch album.

With it being a weak 2010 for hip-hop so far, this is definitely the best thing out (I wouldn't be surprised if this was my favorite album of the year).

Guilty & Madlib

One of my favorite producers ever teams up with Guilty Simpson for an entire album? I'm down. Buy it.

Detroit stand up....

Guilty you always put out quality. Thanks for the music.....

Biography

Born: Detroit, MI

Genre: Hip-Hop/Rap

Years Active: '00s, '10s

In contrast to his imposing presence and hard thug posture comparable to rappers like Bumpy Knuckles or Big Shug, Detroit rhyme-slayer Guilty Simpson first achieved exposure on records by eccentric left-field producers like Madlib, Dabrye, Four Tet, and one of his biggest admirers, Detroit's own J Dilla. His lyrics and distinctive flow can also be found on locally released material dating back to the late '90s as a member of local hip-hop brigade Tha Almighty Dreadnaughtz, but those independently...
Full Bio
OJ Simpson, Guilty Simpson
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