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Other Voices, Other Rooms

Nanci Griffith

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Album Review

Nanci Griffith has the kind of beguiling singing voice that's effortless and easily beautiful — like a pretty girl who doesn't ever need makeup to be radiant. Sounding a little bit like Emmylou Harris is never a bad thing, but Griffith doesn't stop there. She duets with Harris and a host of other country and folk notables on Other Voices, Other Rooms, her first collection of cover songs. Like Harris, Griffith can climb inside a character-driven song with a simple twist of inflection or a lingering note. This is what she does on Vince Bell's "Woman of the Phoenix," deftly painting images of a winter freeze, cacti, and Michael, the "rock 'n' roll hood from the Odessa plains." Dylan's "Boots of Spanish Leather" rambles like the Texas countryside and features the man himself on harmonica. The guest list for Other Voices really is incredible. Alison Krauss, John Gorka, Edgar Meyer, Amy Ray, and Emily Saliers — it's a regular homespun who's who. There's plenty to sigh about here, and occasionally the album can almost be too tasteful for its own good. But raveups like Woody Guthrie's "Do-Re-Mi" let Griffith trade some serenity for dustbowl grit (the addition of John Prine's lascivious gruffness helps a lot, too), and the frustrated anger of "This Old Town" only supports this. What might be most refreshing about Other Voices, Other Rooms is its ability to access the warm tones of country, grassroots, 1960s folk, and the '70s songwriting tradition while still sounding more like it comes from Griffith's Texas roots than anywhere else. This is highly recommended for fans of Griffith or any of the like-minded artists who help out here.

Customer Reviews

Great album

Surprising that no one has reviewed this yet. This was my intro to Nanci Griffith and since then I've acquired all of her albums. If you like Nanci Griffith, you probably like some of the artists she covers on this disc. All the tracks are great, Across The Great Divide and Tecumseh Valley stand out (not surprising considering who wrote them - Kate Wolf and Townes). Good production, great songs, great musicians...well worth the rice of admission.

Real Americana

Listened to this on a loop many years ago crossing the panhandle with everything I owned n the back of a rented truck. It still sounds as perfect as it did then.

5 Stars= Not hyperbole

I'm usually loathe to give an album 5 stars...but out of my large collection of music, this one ranks easily in the top 10-15 albums.
For anyone who is a fan of American folk music, your collection simply isn't complete without this album. It's simply excellent.
The sound is unpretentious, (as folk music should be)...and despite the number of high profile guests, the album remains completely Nanci Griffith's. She makes the songs her own and turns in one of the best albums of her career. The instrumentation is tasteful, restrained and played with precision. Her takes on Across the Great Divide, Tecumseh Valley, and Boots of Spanish Leather stand practically on par with the originals, and her "Morning Song for Sally" is simply devastating (in a good way). If you like this kind of music, it would be a mistake not to get this.

Biography

Born: July 6, 1953 in Seguin, TX

Genre: Country

Years Active: '70s, '80s, '90s, '00s, '10s

Straddling the fine line between folk and country music, Nanci Griffith has become as well-known for her brilliant, confessional songwriting as her beautiful voice. A self-styled "folkabilly" singer, Griffith began as a kindergarten teacher and occasional folksinger. The country scene took her to heart in the mid-'80s, giving her a reputation as a quality songwriter through hit covers of Griffith's songs by Kathy Mattea and Suzy Bogguss. Finding...
Full Bio
Other Voices, Other Rooms, Nanci Griffith
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