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Outro Lado

Zuco 103

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Album Review

Zuco 103's music is, like its lineup, a unique and wonderful Euro-Brazilian hybrid. Dusky-voiced Lilian Viera is supported by keyboardist/programmer Stefan Schmid and drummer/programmer Stefan Kruger, and the music they make is a highly successful fusion of samba, bossa nova, trip hop, jazz, funk, and drum'n'bass. For all of its potential, a mixture like this one doesn't have to be successful — less talented and thoughtful musicians would let the musical ideas get lost in willful eclecticism or would use the trappings of one tradition as mere decoration for another. Instead, Zuco 103 uses the varying backgrounds of its members synergistically, letting Bahia-style drumming segue neatly into jungle breakbeats ("Brazilectro"), or reframing traditional Brazilian percussion in a drum'n'bass context, complete with vinegary, ultra-low basslines, and bossa-nova-ish vocals ("Um Coco"). When the harmony vocals kick in on the chorus to that last song, you'll think you've died and gone to the beach. There's a clunker or two on this program (the cheesy lounge samba of "No Bar do Samba" is a bit much), but overall it's a solid winner.

Biography

Genre: Brazilian

Years Active: '80s, '90s, '00s

Originally known as Rec.a, the Netherlands-based neo-tropicalismo group Zuco 103 was spawned from a collaboration that singer Lilian Vieira, keyboardist Stefan Schmid, and drummer Stefan Kruger worked on with the Dutch fusion ensemble SfeQ. The trio met at the Rotterdam Conservatory in 1989, where Brazilian-bred Vieira was studying singing and began blending the bossa nova and samba of her homeland with jazz, funk, and...
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Outro Lado, Zuco 103
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