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Parachute

Guster

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Album Review

Recorded while the band members were college juniors at Tufts University, Guster's debut album, Parachute, was something of a surprise hit for the Boston-based trio. Hailed as the Best Local Debut Album of 1995 by the Boston Globe, the album features rootsy but unique instrumentation. The songs are dominated by the twin acoustic guitars and excellent vocal harmonies of Ryan Miller and Adam Gardner, while the drum kit-free percussion is handled by Brian Rosenworcel. Ignoring traditional rock drumming, Rosenworcel relies on bongos and other hand percussion instruments to create a unique, full, one-man rhythm section. The songs are augmented by guest musicians who contribute bass, drums, and various strings, but they are mostly relegated to the background. Ranging from exuberant folk-rock to mournful ballads, the song writing is excellent, although, at this stage in their career, Guster is clearly learning how to best utilize their strengths while filling in the gaps in their sound. Producer Mike Denneen does an admirable job, but at times the sound is thin and unimaginative. He succeeds more often than not, adding swelling strings to the heartfelt vocals and strummed guitars title of the title track. Parachute is a remarkably enjoyable independent debut album. The songs are somewhat constrained by the band and producer's inexperience, but Guster proves it's better to struggle a bit with ambitious music than play mediocre material well.

Customer Reviews

Favorite album for 10 years

Guster has been my favorite band since I was 6 years old, and that opinion still remains the same. This album was what started them on their way, and actually it is my favorite album of theirs. I think it is the least "produced" and the most original. It has a little bit of everything. After this the next best is Lost and Gone Forever, then Goldfly, then Keep it Together. Having listened to the singles off the upcoming album, I do not have high expectations for it, and it makes me sad to say that. However this album is amazing. With songs like "Window" "Mona Lisa" (two of my favorite songs of all time, and the two best on the album) the album hits a high note only four songs in. "Eden" has the best ending of any Guster song to date, though the first 2-2 and a half minutes aren't all that good. "Cocoon" is an amazing branch from normal Guster, but still holding on to the acousticness of the album. The album ends on an amazing high note with the title track "Parachute" the beautiful melody and backgrounds of this song make it one of the best songs Guster has ever put out. Pick up this album before you get Keep It Together, or before you get the new album, because I have a feeling that if you get those first, then you'll have a skewed image of how Guster really is, and probably be turned off to them.

These guys will always be my favs

I have always loved the great sound of guster, it will never get old, there sounds are very harmonic and will not let you down. Parachute would have to be my favorite album but the others are always good too. I have been to every concert of these guys when they come to Cleveland and I will always support them.

this album is a hidden gold mine

Every time I listen to this album, i find something new. The combination of amazing natural drum beats and acoustic strumming really define this album. it is similar to bang bang by Dispatch, which is one of my other favorite albums, there isn't a single song on this album that sounds similar to the next and every single one stands out as a masterpiece. i can't say enough about the quality of the album, i bought it even though i had never heard of guster or heard any of their songs, the thirty seconds of the first song moved me enough to buying it.

Biography

Formed: 1991 in West Somerville, MA

Genre: Alternative

Years Active: '90s, '00s, '10s

Although they evolved into a full-fledged pop band, Guster began their career as a quirky acoustic trio. The band, whose three co-founders met during freshmen year at Tufts University, spent most of the 1990s touring the college circuit and releasing independent albums, all of which featured hand percussion in lieu of a traditional drum set. Released in 1999, Lost and Gone Forever widened the band’s sound considerably, and the follow-up album found percussionist Brian Rosenworcel playing a drum...
Full Bio

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