iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Past Time by Grass Widow, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Past Time

Grass Widow

Open iTunes to preview, buy, and download music.

Album Review

It would be easy to look at Grass Widow and lump them in with all the noisy girl pop bands of 2010, they certainly are noisy and poppy enough (and the ubiquitous Frankie Rose played drums in an early incarnation of the group). What makes them stand out from the crowd on their first record for Kill Rock Stars, Past Lives, is the care they take with their vocals. All three of the band members sing and their sweet, unschooled voices dart and weave around each other magically. When they join in three-part harmony, the effect can be breathtaking. Placing the vocals over skittery, post-punk influenced guitars and drums only makes the effect stronger and more mysterious, sounding like a strange and wonderful blend of late 60’s psych-folk and early 80s post-punk. Like Wendy & Bonnie fronting the Raincoats maybe. Just as important as the sound the trio gets is the fact that they write very strong songs. Melancholy but not morose and suffused with a warmth and simplicity of emotion, they aren’t exactly summer jam mixtape material but they would sound good as the sun is going down over the beach and campfires are being lit. Dusk jams isn’t a term you hear very often but most of the songs on Past Lives would fit that bill. The fragile way the instruments interact and the tender construction of the vocals may not stand up to the heat of the day, but may be a little too spooky in the dark. “Shadow” is the theme song for the in-between feeling the band conjures up but many other vie for that spot. “Submarine,” in particular with it’s restraint and very moody melody. Grass Widow set the mood masterfully and never breaks it. Past Lives may be a short album that seems slight on first listen but as you play it again and again, it sinks in deeply and magically.

Customer Reviews

Grass Widow avoid the sophomore slump with an impressive 2nd album

In 2009, the three women who comprise Grass Widow released the year's best debut full-length. As it came out on the tiny Make-A-Mess imprint, it flew under the radar of most of the "indie" covering sector.

Yesterday saw the release of the group's second album Past Time on the larger Kill Rock Stars label. This, along with some other factors (like being invited to open for Sonic Youth at Prospect Park), should raise Grass Widow's profile considerably. It's probable that those who missed out on the band's debut will be quick to heap praise on their sophomore long player, knowing full well they need to catch up on a good thing. However, the consensus thus far of those who heard and liked Grass Widow's self-titled debut seems to be that Past Time is a weaker record.

And I say that's bull. Past Time is both less "punky" and poppy" than the band's first album. As such, it's a bit harder to find an easy point of entry. Yet after a few spins, it becomes obvious that Grass Widow's songwriting hasn't slipped. They're just less interested in conventional verse-chorus-verse structure this time out than they were previously. Rather than provide direct hooks to hang your hat on, Grass Widow invite you to luxuriate in their singular sound. Their voices (the band's harmonies are top notch) and instruments weave in and out of each other. Each element is distinct and sometimes oblique yet they seamlessly form a whole. That may read as being challenging and it can be but Grass Widow is also stealthily inviting. They prove that rock music doesn't need to loud or noisy to be uncompromising. Nor does it need to be traditionally catchy to burrow its way right into your brain's pleasure center.

In 2010, it's increasingly difficult and rare for a band with a simple guitar/bass/drums/vocals lineup to forge a unique sonic identity. Grass Widow have done just that. Even more impressive is that they've managed to do so relying solely on their playing and songwriting, with no noticeable production tricks to lean on. (It should be noted, however, that production is much improved from the debut.)
-Paul Bruno, The Unblinking Ear

A few days ago I posted a video from Past Time along with a bunch from other artists. They've since released another. At the risk of redundancy and borderline sycophantic hyperbole, I'm posting this one as well. If it's my duty to inform you of music that should be part of your life, then shoving Grass Widow down your throats (to paraphrase Fox News talking heads on healthcare) outweighs all other concerns.

Biography

Formed: San Francisco, California

Genre: Alternative

Years Active: '00s, '10s

Although it makes some sense to lump Grass Widow in with the Vivians, Dum Dums, and various other "girl groups" that rushed onto the indie underground stages of the late 2000s, the San Francisco-based trio is actually a slightly different animal. Formed, predictably enough, in the late 2000s, the group is comprised of Hannah Lew, Raven Mahon, and Lillian Maring; the three utilize the same sort of egalitarian, D.I.Y. embrace of collective creative possibility embodied by Rough Trade heroes such as...
Full Bio
Past Time, Grass Widow
View In iTunes

Customer Ratings

Influencers

Contemporaries

Become a fan of the iTunes and App Store pages on Facebook for exclusive offers, the inside scoop on new apps and more.