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Pete Seeger's Greatest Hits

Pete Seeger

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Album Review

"Greatest Hits," as Seeger himself wryly wrote in his liner notes, is a misnomer considering that he never had hit singles or huge-selling albums as a solo artist, though actually "Little Boxes" (included here) made the lower reaches of the charts. In reality this 1967 compilation (since reissued on CD) collects the most popular tracks of his 1962-1966 output for Columbia, which was a pretty small slice of his prolific career. Nonetheless, these were among his most popular recordings ever, whether as done by him or covered by others. To begin with, it has the original 1962 version of "Turn! Turn! Turn! (To Everything There Is a Season)," made into a number one folk-rock hit in 1965 by the Byrds (and covered to good effect by Judy Collins in 1963). There's also "The Bells of Rhymney," also covered by the Byrds in 1965, and "Where Have All the Flowers Gone?," a hit for the Kingston Trio, although the 1962 version here is a disappointingly thin a cappella one. Other tracks were among the most popular staples of his repertoire: "We Shall Overcome," "Wimoweh (The Lion Sleeps Tonight)," and "Guantanamera." His controversial "Waist Deep in the Muddy" is also included, as well as some songs that might be identified more with other performers, like "Michael, Row the Boat Ashore" and Woody Guthrie's "This Land Is Your Land." Though it might not qualify as an ideal career survey given its narrow chronology, certainly it's among the one or two best anthologies for those who just want one or two Seeger comps, as it has many of the most renowned songs he wrote or popularized in their most popular recorded versions.

Customer Reviews

Great Variety

Seeger travelled the world extensively, and the folk influences from every corner influenced his song selections and self penned compositions. All the while, his committment to working people and their plight caused by greed and abuse of power was always part of his reason for communicating through song. Seeger took that selflessness, which is usually evident only in religious music, and created work beyond the bourgeois, egocentric outpourings of most folk composers. Much has been made of whether or not a singer of roots based music must have lived the life, ala Woody Guthrie and his status as The Dust Bowl Balladeer or Mance Lipscomb as a sharecropper, and the argument is legitimate to a certain extent. However, as a synthesizer of musical strands, Seeger is as good as it gets. Many of his songs serve as anthems for various social justice causes and are therefore timeless. His versatility and mastering of banjo and guitar add to the overall enjoyment (example: 12 string guitar work on "Living In The Country"). Much critical fanfare has accompanied Bruce Springsteen's coverage of Seeger's playbook, and it is deserved, but, to fully appreciate it, this is an important companion piece. One of my best memories as a child was of Pete Seeger, once a week, visiting our class at Downtown Community School in the East Village and teaching us about songs and what was behind them. It has served as a positive inspiration throughout my life, now sixty-four. If this record does even a little of that for you, it is well worth it.

Biography

Born: May 3, 1919 in New York, NY

Genre: Singer/Songwriter

Years Active: '30s, '40s, '50s, '60s, '70s, '80s, '90s, '00s

Pete Seeger had broad influence on the development of contemporary folk music in a career that stretched from before World War II to after the turn of the 21st century. He could claim major responsibility for the folk music revival of the late '50s and early ‘60s; he wrote a handful of songs, including "If I Had a Hammer (The Hammer Song)," "Where Have All the Flowers Gone," and "Turn! Turn! Turn! (To Everything There Is a Season)," that became major hits; he single-handedly popularized the five-string...
Full Bio

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