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Pieces of Eight

Styx

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Album Review

Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush — hard and heavy, yet curved by Tommy Shaw's emphasized vocals. Reaching number 21, with the frolicking romp of "Renegade" edging in at number 16 only six months later, Pieces of Eight maintained their strength as a front-running FM radio group. Even though these two tracks were both mainstream singles, the rest of the album includes tracks that rekindle some of Styx's early progressive rock sound, only cleaner. Tracks like "Sing for the Day," "Lords of the Ring," and "Aku-Aku" all contain slightly more complex instrumental foundations, and are lyrically reminiscent of the material from albums like The Serpent Is Rising or Man of Miracles, but not as intricate or instrumentally convoluted. While the writing may stray slightly from what Styx provided on The Grand Illusion, Pieces of Eight kept their established rock formula in tact quite firmly.

Customer Reviews

Definately worth a listen

I have been a Styx fan since I heard this record in the late 70s. I'd say that with most of their music, if it wasn't for the fact that I was a fan as a child (I was in elementary school when I first became a fan) and have been listening since I probably wouldn't like it much. Much of it is rather arrogant and pompous, some of it quite juvenile. Still, this album stands on its own. It is one of two Styx albums that even people who aren't Styx fans should consider. It is truly a good record, with many good songs.

Styx at their Best!

This is a must have album. Blue Collar Man and Renegade are the greatest hit on the album. If you just buy the hits you'll miss out on the rest of this awesome album. This album was arranged very well.

Great

Styx will always be a great band, this album was a fine testament to that fact.

Biography

Formed: 1970 in Chicago, IL

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for bombastic rockers and soaring power ballads. The seeds for the band were planted in another Chicago band during the late '60s, the Tradewinds, which featured brothers Chuck and John Panozzo (who played bass and drums, respectively), as well as acquaintance Dennis DeYoung (vocals, keyboards). By the dawn of the '70s, the group...
Full Bio

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