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Playing the Angel (Bonus Video Version)

Depeche Mode

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iTunes Review

Twenty-five years and 11 studio albums and Depeche Mode still matters. Once underground/alternative masters of the dark end of the synth-pop dance floor, DM is now one of the world’s most successful electronically engineered groups. While the music world has caught up to their technologically driven impulses, it hasn’t learned how to successfully replicate the human ingenuity that powers them. You still need the trio of Gore, Gahan, and Fletcher to run the program. Playing the Angel, the follow-up to their 2001 studio release Exciter, delivers all the expectant drama that made the band favorites of introverted malcontents for three decades. Producer Ben Hiller (Blur, Doves), who admitted to not being a fan of the band’s music before working with them, pushes the group up a few beats to give them a newfound sense of urgency (“A Pain That I’m Used To,” “John the Revelator”), but the trio still drapes their crestfallen images in beautiful electronic hues (“Precious”). Dave Gahan aids main songwriter Martin Gore with three tracks of his own that fit snugly within the group’s internal angst. No amount of worldly success can temper this group’s alluring dark side.

Customer Reviews

Not their best

Don't get me wrong here, I'm a huge DM fan. I've gone to every concert since Violator (was too young for any before), and I have every CD released, including singles, collection and remixes. There are 4 really great songs on this albumn. My favorite is "Nothing's Impossible" It really has that Music for the Masses/Black Celebration sound to it. Precious is probably the most marketable song and I can see why they chose to release that as it's first single. Precious sounds like it could have been on the Violator CD. Next in line for me is Suffer Well. It's a great song that really builds to a beautiful melody. And finally A Pain That I'm Used To; This song actually sounds more like a track from Dave Gahan's solo albumn; Paper Monsters. Those four songs make this a good Albumn and I can't wait until Nov to hear them live. However, the rest of the songs while tolerable fall short of great DM. I found Macro to be just painful to listen too. Especially when you compare it to Martin's preceeding ballads of Somebody, A Question of Lust, Blue Dress, One Caress, Home and Surrender. The Lyrics for some of these songs are just silly. I think true DM fans will enjoy the albumn, but to be honest it's not as great as I had hoped.

DM has finally refound themselves

I have been a long long time fan of DM. I loved all their earlier music, and went and saw my first DM show during the Violator tour. After Violator, I felt DM never really captured the magic from their previous material. With exception of "Walking in my Shoes" and a few others. With this new album, I must say I really like what DM has done, they have gone back to the sound that made them what they are today. Everything to from the 80's pop-synth drumming to some tracks having that dark Violator sound is back in this album. The recording is stripped down..almost how do I say... flat in comparison to Exciter which I felt had a very over-processed sound (as with Ultra in my opinion). The songs are more of what I would have expected from Depeche in the late 80's! Now there are a few songs I love such as "Precious", "Nothing's Impossible", the retro sounding "The Sinner in Me", and "Suffer Well" which has a very 'Violator' sound to it with that guitar riddling in the background! On the flip side I found Macro very bland trying to exploit his vocals way too much. Sounds like he's trying to mock a Middle Eastern yodaling sound. Introspectre is just a keyboard having a few notes played it seems to fill space. I hate that....Van Halen had done something similar on VHIII...awful. As the album goes on it seems the album shifts from DM to lead vocals with a drum machine. It doesn't work for me, it fails to capture his voice the way "Waiting for the Night" had done. Over all I thinkt he first half of the album is worth 4-5stars..the 2nd half worth 2-3...so I gave it 3. Take it or leave it, thats how I feel =). I truely like how they have gone back to their vintage sound!

Pain & Suffering at various tempo's indeed.

From the single 'Precious', my hopes were high. I hadn't liked a single thing from DM since 'Violator' which was a phenomenal effort. From the first distorted note of 'Playing The Angel', I was appauled. I feel cheated, disgusted, and terribly misled. How can all these reviews be so positive about a CD that is so terribly produced? Who paid all these reviewers to give it glowing remarks? There is not a single track on this album worthy of listening to. Each track was more painful than the one previous to it. With the sole exception of 'Precious', this is a miserable attempt to recapture their core audience. Every song uses distortion that achieves sickening levels. Where are all of the melodies? Perhaps they are drowned out by all the fuzz and junk levels of intoxication. Or perhaps there are no melodies to speak of. If you are a fan of synthpop and would like to be pleasantly surprised by a true comeback of one of your favorite artists from the 80's, I would highly recommend getting the new Howard Jones 'Revolution of the Heart' album which is an outstanding comeback album. Or get Andy Bell's 'Electric Blue' or Erasure's 'Nightbird' albums. On a more positive note regarding DM, the remixes of 'Precious' are fabulous! I would rate 'Playing The Angel' a negative star rating if it were possible. Again, if you are excited (as was I) by all of the glowing reviews about how DM have returned to their roots, don't believe it for one second. You will be utterly disappointed (as was I). Thumbs way, waaaaay down.

Biography

Formed: 1980 in Basildon, Essex, England

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electro-pop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more...
Full Bio

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