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Power

Q and not U

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Album Review

One of the original batch of bands that started mixing indie rock, post-punk, and disco-influenced rhythms in the '90s, Q and Not U return with Power, an album that nods to dance-punk's moment in the sun and also finds them adding more dimensions to their already versatile sound. Like Les Savy Fav, Q and Not U are among the strongest songwriters working in this style, and on Power, they're equally adept at short, sharp shocks like "L.A.X." and more introspective pieces such as "Dine." This ebb and flow makes the album less forceful than previous work like No Kill No Beep Beep, but it also makes Power more interesting, even if the ping-ponging between quietly quirky pieces like "Throw Back Your Head," an oddly folky, flute-driven song, and brainy, spazzy pop like "Wet Work" is disconcerting at first. It's tempting to single out Power's most singular moments, like the medieval harmonies on "District Night Prayer," as the album's highlights, because they're such a departure; however, "Book of Flags" and "Tag-Tag" are prime examples of the band's undeniably kinetic punk-funk. "Wonderful People" and "Beautiful Beats" are even more danceable, but still retain that paranoid, too-smart-for-their-own-good feel of all of Q and Not U's work. This feeling comes to the fore on the tense, "Glass Onion"-esque "Collect the Diamonds" and "X-Polynation," which both echo the trend of mixing politics and dance-punk, but do so more subtly, and timelessly, than the rants of !!! and Radio 4. Even when there are plenty of other bands working in a similar style, Q and Not U remain more distinctive and harder to classify than many of their peers, which makes Power an exciting album and proof that the band has variety and vitality to spare.

Customer Reviews

More poppier, focused effort than previous

Such a great band, they are sorely missed. A logical progression from the stripped-down, more improvisational period of "Different Damage". Showcases their affectation for afro-beat and early punk (Tag-Tag), synth-pop (Wonderful People), and lots of other disparate bands ranging from Suicide to Prince (7 Daughters, Beautiful Beats). These guys had a vast knowledge and love of music and it shows, definitely pick this up if you truly appreciate ecclecticism (if that's a word..).

Disappointing At Best

"Power" is a major change for Q and Not U and unfortunately it was a bad one. The first two albums are just overall more enjoyable to listen to. I recommend listing to "No Kill No Beep Beep" instead of this travesty. This album was such a let-down.

Logical Growth and Expansion

Anyone who says they are disappointed with the newer sound of Q and Not U is not seeing a clearly identifiable trend that came clear in Different Damage. No Kill No Beep Beep was a higher octane phrenetic chord-driven melody but with their second album, there was a palpable maturation in sound. It was more refined, less angst-filled and overall, a more distinguished album. This album comes through as a zenith of the trend (before their eventual collapse as a band) with wonderful songs like Wet Work that lend homage to previous sounds but Collect the Diamonds and Wonderful People puts a new beat to the works that can only be enjoyable. If anything, Q and not U's albums can almost be viewed as created by different bands, to be enjoyed by different people; that's how much of a change they've made. Those who truly appreciate music can appreciate the growing up involved in their sound.

Biography

Formed: November, 1998 in Washington DC

Genre: Alternative

Years Active: '90s, '00s

In 2000, Dischord records signed two unique new bands that both embodied the sound of their forefathers while pushing the boundaries of Dischord-style rock to new arenas. Q and Not U, formed from ex-members of Elusive, John Davis, Harris Klahr and Chris Richards, were the more straightforward and enigmatic of the two (Faraquet being only slightly on the more technical end). Their full-length debut, No Kill No Beep Beep, proved their ability to write complex yet catchy rock songs with quite a bit...
Full Bio
Power, Q and not U
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