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Prospekt's March

Coldplay

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Album Review

Released as part of a Viva la Vida special edition and on its own as an EP — thereby illustrating a concern for fans that's almost unheard of among these big-budget special editions — Prospekt's March is an addendum to Coldplay's Eno-produced 2008 album, offering a little bit more of the same spacy thing. Often, it's a variation on what was on the album itself, as three of the eight songs here are remixes, none particularly different than the originals (not even Jay-Z's cameo on "Lost" feels sudden or surprising). Of those other five songs, "Postcards from Far Away" is just a small snippet of atmospheric keyboard, leaving this at a mere four tracks — all good, all holding their own with the main text of Viva la Vida. Best of these is the surging drama of "Glass of Water," which feels as if it could have fit neatly into the album itself, but "Rainy Day" has a nice percolating electronic beat along with simpatico staccato strings, and "Prospekt's March/Poppyfields" earns much of its portentousness through its latter section, all of which makes up for the slightly unfinished feel of "Now My Feet Won't Touch the Ground." None of this is major but it is enjoyable, worthwhile for the devoted — and it's nice they can get it separately instead of plunking down cash yet again for a deluxe edition.

Customer Reviews

Way to go!

They have done it again! Made me fall in love with another great album! Kudos to Coldplay!

Coldplay in excellent form.

Not sure how I missed this when it first came out but heard it recently and had to buy. Only a few tracks on this album but all are very enjoyable. If you haven't heard "Glass of Water," listen to it and buy it immediately!

Wow

Are all of these songs they didn't put on Viva la Vida and Death and All His Friends? Either way good album!

Biography

Formed: 1998 in London, England

Genre: Alternative

Years Active: '90s, '00s, '10s

After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. The group's emergence was perfectly timed; Radiohead had just released the overly cerebral Kid A, while Oasis had ditched two founding members and embraced psychedelic experimentation on Standing on the Shoulder of Giants....
Full Bio

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