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Ramda

Mice Parade

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Album Review

The sophomore solo album from the Dylan Group's percussionist saw Adam Pierce follow his The True Meaning of Boodleybaye with a second stunning selection of post-rock brilliance. While the 15 tracks offer plenty of late-night introspection by way of the bassline that quietly finds its way through the swirling acoustics of "Good Red Road" or the vibraphonic "Headphoneland in the School of Old," Pierce is at his best when he steps up the pace. The intense high-speed percussion that literally explodes from "Galileo" is a case in point, with a devious smoke-and-mirrors arrangement somehow preventing fearsome beats from putting the frighteners on a gentle wash of acoustic guitar. And so it goes on, an aural assault softened by ambient soundscapes, the two contrasting elements making unlikely but remarkably amicable bedfellows through the use of sympathetic Reich-like melodic constructions — with the result an awesome 73 minutes of surprises.

Customer Reviews

Excellent

I liked how the acoustic guitars blend with the electronic beats. Galileo is a perfect example of this.

Brilliant

Post-rock sonic landscapes meets classical minimalism. Rough edges reminds you this is real music, with accessible counter-point and soulful percussion.

Biography

Genre: Alternative

Years Active: '90s, '00s, '10s

The experimental post-rock of New York's Mice Parade, aka Adam Pierce, blends live instrumentation, layers of overdubs, and intricate percussion into a distinctive, playful sound. Mice Parade's 1998 debut single, My Funny Friend Scott, introduced Pierce's genre-bending style, which he expanded on with that year's full-length debut, The True Meaning of Boodleybaye. On 1999's Ramda, Pierce upped the ante once more by recording the tracks and mixing the album in one take, lending it an improvised...
Full Bio
Ramda, Mice Parade
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