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Repeater & 3 Songs

Fugazi

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Album Review

With its righteous disdain for capitalism and the almighty dollar, Repeater sounds like an angrier American update of Gang of Four's Solid Gold, which had been made ten years earlier. Lines/slogans like "When I need something/I reach out and grab it," "You are not what you own," "I was caught with my hand in the till," and "Everything is greed" bear this out. Though not lacking any sense of conviction, Repeater honestly gets a little stifling. It's not too difficult to see why the band was allegedly lacking a sense of humor at this stage. They could have been yelling about filing their taxes; the yelling begins to fade into a din after a while. The title makes sense, if only by mistake. But — and that's a big but — Repeater nearly matches the Fugazi and Margin Walker EPs with its musical invention and skill, spewing out another group of completely invigorating songs, which makes the subject matter and finger-pointing a little easier to swallow. Few rhythm sections of the time had the great interplay of Joe Lally and Brendan Canty. Likewise, the guitar playing and interaction of Ian MacKaye and Guy Picciotto almost always get overlooked, thanks to all the other subjects brought up when the band is talked about. A guitar magazine even rated Repeater as one of the best guitar records of the '90s, and rightfully so. Anemic revs spiked by pig squeals (or is it a screeching train?) highlight the title track, one of the band's finest moments. (Don't miss MacKaye's vicious double-tracked vocals, either.) As always, MacKaye and Picciotto's noise-terrorism-as-guitar-joust avoids flashiness, used as much as rhythm as punctuation device. Sharp, angular, jagged, and precise. Other gnarling highlights include the preachy "Styrofoam," the late-breaking "Sieve-Fisted Find," and the somewhat ironic "Merchandise," which skewers Mr. Business Owner by asking, "What could a businessman ever want more/Than to have us sucking in his store?" Plenty of fans had to suck in someone's store to get this record, after all. [The CD version of Repeater added the 3 Songs 7" as a bonus, titled as Repeater + 3 Songs.]

Customer Reviews

ONLY 3 REVIEWS SO FAR? WHAT DO KIDS LISTEN TO?

Man, when I was in high school, this was like the number one album for all the white kids. All four of us. But seriously, I saw these guys play like three times, and the first time it was insane, people were throwing chairs out the windows and throwing live fire extinguishers around, and everyone had to go outside and gag and they didn't play again for half an hour cause Ian was giving stern lectures. you'd think there would be like three hundred reviews for this album. it's so sad, like AFI, or less than jake, or NOFX will have like four hundred reviews and Fugazi gets three reviews? Madness. This music is super good, and nobody is listening to it, no wonder were at war right now and bozo the clown is president, again. It's the end of the world. Three reviews? Kids are just stupid now, the video game generation, straight chuck e. cheese! This heah's gangsta gangsta gangsta, and that's the first time I wrote that 3 times. Hey! Kids can kickflip, and they haven't even heard of Fugazi, I thought skateboarding was about values and respect.

og...

Kids don't listen to this record becuz its so different from what is popular today. They wouldn't even understand the political undertones. But I digress. This stuff is just too different and well done to ignore as a fan of post-hardcore. This stuff started the whole sub-genre of post-hardcore. Metal Hammer ranked it as the number 1 post-hardcore album of the last 20 years. Pretty good stuff here. Get it.

This is the BEST album ever made

I love Fugazi, and repeater is the best album... I recommend this to ANYONE who is sick of hearing the same s*** on the radio!

Biography

Formed: 1987 in Washington D.C.

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

If history is kind to Fugazi, their records won't be overshadowed by their reputation and methods of operation. Instead of being known for their community activism, five-dollar shows, ten-dollar CDs, resistance to mainstream outlets, and the laughably fictitious folklore surrounding their lifestyle, they will instead be identified as setting a high bar for artistic excellence that is frequently aimed for but seldom achieved with great frequency. During their existence, the four-piece created some...
Full Bio

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