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Rough Music

Eliza Carthy

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Album Review

Eliza Carthy officially inherits the British folk crown from her parents with the willfully traditional Rough Music. Described in the liner notes as "a form of community punishment practiced all over England" (basically a public beating for a heinous social crime), Rough Music sounds like a lost pre-percussion Steeleye Span record filtered through A.L. Lloyd's whaling collection Leviathan! Carthy's strong fiddling and powerful vocals — she really is beginning to surpass Norma — are ably enhanced by the chiseled performance of her backing band, the Ratcatchers. Together they celebrate longstanding English traditions like public execution ("Turpin Hero"), syphilis ("The Unfortunate Lass"), and alcohol ("Tom Brown") with equal parts reverence, earnestness, and mischief. Primarily arranged for violin, viola, double bass, and melodeon, Rough Music also features lovely a cappella cuts like "Maid on the Shore" and enough fiery instrumentals to keep your feet on the cobblestones during the long walk home from the pub. In fact, there's not a moment on Rough Music that isn't essential listening. Highly recommended.

Biography

Born: 1975 in Scarborough, Yorkshire, England

Genre: Singer/Songwriter

Years Active: '90s, '00s

The daughter of British guitarist/vocalist Martin Carthy and vocalist Norma Waterson, Eliza "Liza" Carthy has continued in her parents' footsteps. Carthy and her solo work have showcased her ability to breathe new life into England's traditional folk music. According to Dirty Linen, Carthy "has turned into a marvelous vocalist who has drawn equally from the craft and the idiosyncrasies of both her parents' distinctive styles." Carthy's earliest performances came as leader of her own band, the Kings...
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Rough Music, Eliza Carthy
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