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Seemingly Solid Reality

Outrageous Cherry

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iTunes Review

Outrageous Cherry is becoming one of those steadily consistent bands known best to the members of more popular groups. But all the appreciation from the members of Wilco can only bring the band so far and eventually it’s up to others to discover the majestic weirdness and pop accessibility of a tune as grungy as “Unbalanced In the City” or as droning and gorgeous as “Fell,” where the band seemingly take the Jesus and Mary Chain and turn it into an alternate wall of impenetrable sound. “My Ghetto” throws things into a jaunty gait that if stripped of its murk would be something easily found on a mid-'60s pop record. This Detroit band don’t simply aim for Motor City aggression but rather zero in on subtleties that makes them a great headphone listen. “Self-Made Monster” is a simple garage-rock stomper. “The Happy Hologram” kick-steps a country lope for the group’s equivalent of a ballad. Matthew Smith is that perfect anonymous singer, who could be the leader of any number of obscure garage bands compiled on those Nuggets and Pebbles collections.

Biography

Formed: 1992 in Detroit, MI

Genre: Rock

Years Active: '90s, '00s, '10s

Named after a brilliant red hair dye, Detroit's Outrageous Cherry explores the sunnier side of droning, fuzzy indie rock. The band started as a recording project in 1992 but blossomed into a full-fledged group when singer/guitarist/producer Matthew Smith, bassist Chad Gilchrist, guitarist Larry Ray, and drummer Deb Agnolli began performing live in 1993. Outrageous Cherry's wistful noise-pop debuted with a limited-edition 7" of "Pale, Frail Lovely One" on the local Third Gear label. The song's deceptively...
Full Bio

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