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Seventeen Days (Bonus Track Version)

3 Doors Down

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Album Review

The stronger songwriting on 3 Doors Down's multi-platinum sophomore effort, Away from the Sun, was encouraging, especially after the rote post-grunge of their 2000 breakthrough, "Kryptonite." But the hit single "When I'm Gone" resonated in particular with American military personnel and their families, who identified with lyrics like "Hold me when I'm here" and "Love me when I'm gone" as deployment to Iraq became imminent in spring 2003. That populism guides Seventeen Days, the Mississippi band's third full-length album. Its liner notes connect to a cross-section of U.S. culture, thanking NFL quarterbacks and major league ballplayers alongside Tim McGraw, Metallica, Dale Earnhart Jr., and "our troops everywhere." And Away from the Sun's Southern rock flourishes have been broadened to create an album that's purely American, built from meaty power chords and everyman lyrics that search for redemption in plain-faced terms. It's no surprise that Bob Seger, heartland crier from another era, guests on "Landing in London." It's not the weary traveler's anthem Seger's "Turn the Page" is — "London"'s keening strings can't replace the pain and longing of Alto Reed's saxophone wail. But 3 Doors Down try their best, and Seger's rough tenor riding shotgun makes the song more memorable. "When I'm Gone"'s template repeats throughout "Seventeen Days." Lead single "Let Me Go" has the usual quieter verses building to a strong chorus, with easily identifiable lyrics like "You love me/But you don't know who I am." "Be Somebody" and "Real Life" use similar pieces, aligning thick distortion choruses next to brooding verses and lyrics about finding one's own road. The harder-charging guitars of "Never Will I Break" and "Right Where I Belong" reference Alice in Chains' legacy, "Father's Son" is a morality tale in more quiet/loud dynamics, and "My World" amplifies Southern rock capably. 3 Doors Down have hit on a formula that works very well for them. It's a great framework for Brad Arnold's earnest lyrics, and the heavy bass and rousing guitar melodies ensure plenty of radio play. It's not unique, and the songs tend to run together. But they're heartfelt, and easily fill the average American's rock & roll quota. [The DualDisc edition of Seventeen Days featured the original audio CD, plus four songs from the album performed acoustically. It also included a DVD with the entire album in two specialized sound formats and two video performances of the single "Let Me Go."]

Customer Reviews

Love it

It came as no surprise to me that I liked this album because I have been a fan of the band for a while now, loving both of their previous CDs. I liked this album because it had some slower songs and a couple heavier ones too keeping people on both sides of the spectrum satisfied. I can't even pick a favorite song but a couple I really liked were "Behind Those Eyes", "My World", and "Live for Today". Also "Right Where I Belong" is an awesome opening song-- it rocks!!

Great Album!!!

This is a great album, and I really like "Let Me Go", but can somebody explain to me what the album art is all about?

Simply the Best

When I first heard three doors down it was like many people with the song Kryponite. It was a catchy little diddy and caught like wildfire on mainstream radio stations. I purchased the complete album and was instantly hooked. It was something different in a time when Korn, Limp Bizkit and Rap were dominating the air waves. Suddenly, they were no longer the little band from Mississippi. I saw them in concert in Cortland, NY and the show was awesome. A little raw but still awesome. Five years later with the release of "Seventeen Days" I went to see them in concert again. This time they blew the lid of the Tweeter Center in New Jersey, a bill that included Staind, Breaking Benjamin, and New Address. The album itself was a masterpiece but hearing it live was another expierence. The first track "Right Where I Belong" was awesome as it was coordinated with pyrotechnics. When Brad Arnold went to his lyrics, the drummer hit the crash symbol and it look like the stage exploded. Visually it was amazing, but hearing it was even better. The same type of sound expierence you hear on this whole album. Behind every song there's a story, a message that rocks out. They mix up their music well with Hard Rock and Softer stuff. Something many bands could learn from. If you've listened to this album before and your foot hurts it's because you've been taping it to the songs. There is no way this album is work $10, $15, or even $20; It's worth so much MORE!!!

Biography

Formed: 1994 in Escatawpa, MS

Genre: Rock

Years Active: '90s, '00s, '10s

Hailing from the small town of Escatawpa, Mississippi, 3 Doors Down hit their peak in the early 2000s with a string of post-grunge singles, most notably "Kryptonite," "When I'm Gone," and the ballad "Here Without You." "Kryptonite," with its minor-key shuffle and references to Superman, was the catalyst for the band's career, generating an unprecedented buzz at a local radio station — Biloxi's WCPR — during the band's independent days. Such support helped make 3 Doors Down a regional...
Full Bio
Seventeen Days (Bonus Track Version), 3 Doors Down
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