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Still Life Moves

Alex Nackman

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Album Review

Style continues to triumph over substance on Alex Nackman's fourth album, Still Life Moves. Nackman has a throaty tenor and, with exceptions, tends to favor piano-based, mid-tempo pop/rock arrangements here, which creates a sound suggestive of Marc Cohn fronting Coldplay, for instance on the second track, "A Letter." He does rock a bit harder on "Berlin" and even revs things up to a quicker pace for the final song, "Polaroid Face." Lyrically, he picks up from the final track on his previous album, "Venice," to continue with European settings, not only on "Berlin," but also "Thoughts of Paris." But his thoughts mostly turn inward and darkly romantic, as usual, in repetitive, introspective lyrics that find him pleading, "Stop the breakdown, wait for me" ("Wait for Me") or complaining, "I can't comprehend your indifferent heart" ("Indifferent"). Yet the words seem to serve more of a rhythmic function than anything else in songs that sound good but don't seem to mean much.

Customer Reviews

just got it

hadn't picked up alex nackman's previous albums, except for the "proximity" single. but, this new one is great. i actually think the back half of the album is stronger than the front, despite the first 5 songs being the most "commericial."

Great Record

A great collection of real music and lyrics. Love It!

Biography

Born: Brooklyn, NY

Genre: Rock

Years Active: '00s, '10s

New York City-based singer/songwriter Alex Nackman self-released his debut album, Good Impressions, at the age of 20 in 2003 and began touring to support it, eventually opening for such acts as the Roots, Norah Jones, Buddy Guy, Glen Phillips, the Pat McGee Band, and Ari Hest. His concert work was chronicled on a live EP, Stages, released in 2004. His second full-length album, A Boy Who Thought He Knew, was released by Long Road Records in 2005. It was followed in 2006 by Sunrise Falls, an album...
Full Bio
Still Life Moves, Alex Nackman
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