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Tell the Truth

Otis Redding

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Album Review

When a major artist dies, labels can usually be counted on to release anything and everything the artist had in the can, regardless of quality. In the case of Otis Redding, most of the posthumous releases were of a very high quality. One example is Tell the Truth, which was recorded the year he died, 1967, and remained unreleased until 1970. Though it falls short of essential, Truth has a lot to excite the soul icon's more devoted followers. Tracks like "I Got the Will," "Snatch a Little Piece," and "Demonstration" are pure Redding — frenzied, passionate, relentlessly gritty Memphis soul that makes no concessions to pop tastes or Northern soul. "Out of Sight" speaks volumes about him — while others would have been afraid to cover a song written and defined by James Brown, Redding confidently tackles the song with splendid results. Redding's last major hit, "Dock of the Bay," indicated that had he lived, he would have explored softer, Northern R&B sounds. But on this album (reissued on CD in the early '90s), it was Memphis all the way.

Customer Reviews

My Favorite

Well. I straight off disagree that this isn't 'essential'. Baloney Me, I've heard every Otis Redding song thats available and this is my favorite collection. I'd pay 9.99 for 'I Got the Will' Oh great "I Got the Will' 'Snatch a Little Piece' 'Wholesale Love' and 'Slippin and Slidin' I worship thy wicked Al Jackson/Steve Cropper/Duck Dunn grooves. As good as it gets.

An essential for fans of Memphis soul

These sessions come from the huge amount of unreleased material that Otis recorded during 1967. While much posthumous vault-raiding is about profits, this album captures Redding's voice and songwriting talent at his peak.

Biography

Born: September 9, 1941 in Dawson, GA

Genre: R&B/Soul

Years Active: '60s

One of the most influential soul singers of the 1960s, Otis Redding exemplified to many listeners the power of Southern "deep soul" — hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. He was also the most consistent exponent of the Stax sound, cutting his records at the Memphis label/studios that did much to update R&B into modern soul. His death at the age of 26 was tragic not just because he seemed on the verge of breaking through...
Full Bio

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