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Temporary Pleasure

Simian Mobile Disco

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Album Review

Simian Mobile Disco's debut Attack Decay Sustain Release was admirable not only for the strength and energy of its productions, but also for its back-to-basics blueprint. With second albums that follow debut breakouts, however, come various hangers-on, which in the case of a dance act, take the form of copious vocal features. (Granted, the duo could have easily snagged these earlier as well, thanks to their pedigrees as rock producers.) Temporary Pleasure opens with a familiar voice, Gruff Rhys from Super Furry Animals, and in an instant the setting dissolves from a glittery London club to the pastoral Welsh countryside. Yet to come are six more vocal features from various indie heroes or up-and-comers, but it's to Simian Mobile Disco's credit that they shape each vocalist to the track and emerge with a unified, exciting sound. Each vocal turn — whether it's the Gossip's Beth Ditto or Yeasayer's Chris Keating or Diplo acquaintances Telepathe or Jamie Lidell or Hot Chip's Alexis Taylor — becomes yet another angle on the dark end of '80s clubland, from synth pop of the Soft Cell or Shannon variety to future-shock electro to acid house paranoia. James Shaw and James Ford are still enforcing limitations on their sound, and while they may be smoothing out a few of the rough patches that would make a more interesting record, their sophomore follow-up is a worthy heir to the original.

Customer Reviews

Gods of Music

Its always great to hear new songs from SMD because your always wondering what they will do next. Honestly they are genius, this album is just so hard to explain its so amazing. With this album and the Attack Decay Sustain Release album combined Simian is easily my favorite band, easily beating any other electronica band in all factors except for maybe Daft Punks live show, and hell the SMD live show is something to see in and of itself. But I do realize many people will not agree with my opinion so I will give some useful info. If you like 80s music there is probably something for you here, whether you like rock or the later 80s hip hop. If you like SMD but dont feel like ponying up any cash anytime soon I would say definetly get Synthesise, 10000 Horses Can't Be Wrong, Ambulance, and Cruel Intentions. If you are surprised that Synthesise doesn't sound like the Synthesise you heard in the music videos because thats the No Voodoo Version. If you are into hip hop but not really into the electronica to much I would say go for Audacity of Huge, Off the Map, and Turn Up the Dial. Really though I would say just by the entire album, SMD is just something that grows on you. I remember thinking that buying Attack Decay Sustain Realease was a mistake because I really only liked 3 to 4 songs but now its easily one of my favorite albums and I'm sure this album will be one of my favorites. I already love more than half the songs.

It's not their best

SMD really is genius. But other than Audacity of Huge, don't bother. The rest of the tracks are weak experiments.

The Next Level

I don't know what it is about bands breaking up, but recently they've spawned some of the best music out there. From the remains of Death From Above 1979 came MSTRKRFT, and Simian's demise lead to Simian Mobile Disco. With "Temporary Pleasure", SMD has brought some lasting pleasure with a boundary pushing, eargasming LP that should (in a perfect world) propel them to Daft Punk acclaim. While this isn't the game changer that "Discovery" was, "Temporary Pleasure" has some incredible sounds that skirt the line between electronic and pop (among other genres too many to list). "Audacity of Huge" might be the best song of 2009, it would be hard for another track to top it's sheer power. It's a gut-busting assault on the ear drums that grabs the best of SMD's earlier album and throws it in a dark closet with A-Trak and MSTRKRFT for an aural makeout session. Not really a weak song on the album, but some of the standouts are "Cruel Intentions" featuring guest vocals by The Gossip's Beth Ditto and "Bad Blood" with Alexis Taylor bringing some Trance-like vocals to the party. With the enormous success of the (I hate them but I gotta reference them here) Black Eyed Peas' eletronic-influenced "The E.N.D." and LMFAO's debut album, it looks like electronic has finally been embraced by the mainstream. There were times before where it was close, and Madonna sure tried her darnedest to make it happen, but now it seems that electronic is here to infect all other popular genres and Simian Mobile Disco will be at the forefront of that revolution. They're taking it to the next level...wouldn't you like to say you got in at the ground floor?

Biography

Formed: England

Genre: Dance

Years Active: '00s, '10s

Producers/remixers James Ford and James Shaw formed Simian Mobile Disco in 2005, following their departure from the experimental electronic rock band Simian. The two had originally formed Simian with singer Simon Lord and Alex MacNaughton in the late '90s. Not content with their roles in the band and wishing to indulge their longtime interest in electronic dance music, the two latched onto DJ gigs while touring with the band. Eventually, the duo split from Simian and dubbed themselves Simian Mobile...
Full Bio
Temporary Pleasure, Simian Mobile Disco
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