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The Best of Radiohead

Radiohead

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Album Review

The year 2008 might have been a slightly early point in time to release expanded editions of the first several Radiohead albums, so Capitol greased the reissue pipeline with The Best Of, a 17-track disc with a track list that is as debatable as any other. The idea of squeezing the band's first six albums into something resembling a definitive one-disc introduction seems almost as wise as presenting A Collection of Great Dance Songs (incidentally a Capitol release) as the one true and useful introduction to Pink Floyd, but to be more fair, the disc does cover just about all of the basics: all the singles and emphasis tracks, from Pablo Honey's "Creep" through Hail to the Thief's "2+2=5," along with a small assortment of the band's better-known album cuts. One track apiece comes from Pablo Honey (1993) and Amnesiac (2001); three are from Kid A (2000), four are from OK Computer (1997), and six are off The Bends (1995). The primary problem, of course, is that Radiohead are much more an albums band than a singles band, especially from OK Computer onward, so a natural reflex for someone who has valued the band since The Bends is to shriek in mild agony; in principle, a best-of Radiohead compilation is similar to a DVD containing somewhat thoughtfully picked scenes from films made by a specific director. For a very casual fan who has absolutely no interest in exploring beyond the songs he or she heard on the radio or through MTV and the like, this set will do (it has "Creep" and half of The Bends, after all, and then a bunch of "the weird stuff"), but otherwise it clearly serves a purpose more meaningful for the label than anyone else.

Customer Reviews

Greatest Hits vs. Buying ENTIRE Albums!

I'm a huge Radiohead fan. Don't get me wrong, all the songs on their "Greatest Hits" album are really good. However, in order to truly appreciate the musical magnificance of this band you NEED to listen to an entire album. For example, OK Computer has a few "stand out hits", but when the album is heard complete songs like "The Tourist" seem to stand out (and above) the so-called-hits of the album. The same comment applies to "Planet Telex!", "Idioteque", and the sonic masterpiece: "How To Disappear Completely (And Never Be Found). These songs were never chart-topping blockbuster hits, but have proven MUSICAL GENIUS to those who are critically unbias. "How To Disappear ..." is probably the most beautiful work of art Radiohead has produced in their career. I get the feeling they are equally proud of this achievement. It's easy to say that "such simple chord progressions and the unique ambiance of the Ondes Martenot/French Connection" easily assembled a 'catchy' song. Nonetheless, the aforementioned songs are all awe-inspiring in their own merit. At the risk of sounding redundant: I honestly believe Radiohead albums are made to be listened to in their entirety. I listened to OK Computer 4 or 5 times before my consciousness aligned with the musical inspiration. The CD spent over a year in my CD-Player!! Couldn't have been all bad since I was awarded Valedictorian of my graduating class while being inspired by Radiohead (i.e., OK Computer) and smoking a ton of green {and eating "funny looking mushrooms" for a month-straight ...}

Like Radiohead but.......

This just doesn't cut it, most of their albums are meant to be heard in their entirety, like "OK Computer" and "Kid A".

shut up and buy it.

alright radiohead fans, we get the point. "You have to buy their entire catalogue to appreciate it."

not really... if you are a casual listener and have heard Karma Police and Creep, (everybody)
maybe you don't even need this many songs.

yes, radiohead is prolific and amazing but buying an entire album, even ok computer, is too much information for most. even york'll tell you they've made some duds (in rainblows).

this greatest hits seems to sum up radiohead and then some. but don't take my word for it.

Biography

Formed: 1989 in Oxford, England

Genre: Alternative

Years Active: '90s, '00s, '10s

Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. But the band internalized that epic sweep, turning it inside out to tell tortured, twisted tales of angst and alienation. Vocalist Thom Yorke's pained lyrics were brought to life by the group's three-guitar attack, which relied on texture — borrowing as much from My Bloody Valentine and Pink Floyd as R.E.M. and Pixies — instead of virtuosity....
Full Bio

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