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The Bootlicker

Melvins

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iTunes Review

The Bootlicker was the middle album of the Melvins’ Ipecac Trilogy that also comprised preceding LP The Maggot and a subsequent album entitled The Crybaby. The former is a bizarre and challenging listen overflowing with some of Buzz Osborne’s heaviest and sludgiest riffs, while the latter boasts guest musicians joining the band on covers. The Bootlicker is a much more accessible affair composed of surprisingly mellow songs. “Toy” opens with hushed, seductive rhythms as a serpentine bass riff slithers around mantras of sleigh bells, serving as a minute long intro to the nearly 11 minute long “Let It All Be,” a hypnotic song so pacific that not even a cowbell can make it rock. “Mary Lady Bobby Kins” also moves at a snail’s pace but with subtle swells in the middle that flirt with cutting loose before reverb-drenched, whisper-sung vocals rein it all in. This could very well be the Melvins’ must subdued album — from start to finish every song moves with such an unobtrusive calm, that The Bootlicker could be played to lull insomniacs to their slumber.

Customer Reviews

Cmon

Cmon...it's the Melvins man.

2 of the 3 ?

This is a great album, BUT, it's part of a three album trilogy, the Maggot, the Bootlicker, and The Crybaby!
C'mon iTunes, finish what you start.

(tool is on that record!!!)

Biography

Formed: 1985 in Aberdeen, WA

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

The Melvins were the first post-punk band to revel in the slow, sludgy sounds of Black Sabbath. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. The Melvins' first record was released in 1987; they've released many albums since then, but it wasn't until 1993 that they went to a major label, thanks to their protégé, Kurt Cobain....
Full Bio

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