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The Dream

The Orb

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Album Review

The Orb's 2005 classic on the Kompakt label — aptly titled Okie Dokie It's the Orb on Kompakt — easily proved that Dr. Alex Paterson and company could hang with the techno avant-garde of the new millennium, taking the minimalist blueprint of many who had followed the Orb and delivering a great record within that context. The follow-up The Dream is just as good, but in a completely different way. Ironically, it sounds more Orb-like than any other record they've done. (There's a certain inverse surprise in following the least likely record with the most likely.) The Orb's return to the green fields of sample-laden ambient-dub may not be welcome to all, but it's clear they've applied a few lessons learned from the Kompakt LP — it's one of the best-produced of the Orb's career. Paterson returns not just with his own lofty production smarts, but with one of the other best British producers of the past 20 years, Youth, back on board for the first time since the dawn of the group. (The third member of this Orb is Dreadzone's Tim Bran.) The single "Vuja De" has everything in its right place: a bruising technoid bassline, clattering dubwise piano chords, and even an anthemic Eastern-styled female vocal that arrives at just the right time and works surprisingly well, despite its inherent poppiness. True to the title, the entire album is just as gloriously hazy as past Orb work. Granted, it rarely diverts from the pattern — mind-expanding dub with excellent pacing and something always going on. (The "things" going on include, but aren't limited to, more vocal samples than any Orb album of the past; a ragga chatter named the Corpral popping up on several tracks; two different female vocalists, and Steve Hillage on guitar in four separate places). The Dream isn't just produced well but also programmed well, only slowing down after 73 minutes to a gradual halt on the dreamy underwater backbeats of "Codes" and the beatless closer "Orbisonia." After succeeding on someone else's terms, it's quite a feat to turn around and succeed on your own yet again.

Customer Reviews

The Dub is Back!

Yay! On the Dream, The Orb have re-discovered the power of melody and have once again embraced the allmighty dub!!! Alex Patterson, Youth and Steve Hillage all making music together again... a dream indeed. If you are like me, an old school Orb fan who has not enjoyed their last few releases, you can rejoice in the fact that this is the group's strongest release since their debut.

The Orb In Rare Form

This is the best Orb album in years. The tracks are layered heavily with funk, soul, and dub music. The Orb's sense of humor is fully intact. Most of the tracks feature vocals this time around. I have enjoyed every Orb album and there are standout tracks on each of them which I come back to again and again. However, I don't think the Orb has had an album as consistently good as The Dream since maybe Orbus Terrarum. Dare I say I think The Dream may be a match for U.F.Orb. The samples in some of the songs seem to be poking fun at earlier outings. They talk of "A beautiful day ... without a cloud." and then throw in an "Assassin" style scream. The laughter samples in "Vuja De" harks back to "Perpetual Dawn" without being as pervasive. The shorter tracks contain some of the Orb's trademark interregnums which have always been one of my favorite parts of any Orb album. I would encourage those who enjoy this album to also check out The Transit Kings.

Wake Up

dr. patterson has just had a heavy session of electro-shock therapy. he's more orblivious than he's been is tweeks. all those cydonia tramas wiped away along with most of Compact Disco. welcome back to the neusphere dr. patterson, we've been waiting.

Biography

Formed: 1989 in London, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs closed their doors. The group popularized the genre as well, by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb. Frontman Dr. Alex Paterson's formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects...
Full Bio
The Dream, The Orb
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