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The Empire Strikes First

Bad Religion

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Album Review

In 2004, Bad Religion supplemented a magazine of reissues with one in the chamber called The Empire Strikes First. Given the state of affairs and activism of peers like NOFX's Fat Mike, it's natural for Greg Graffin, Brett Gurewitz, and company to point their measured seethe and trademark erudition against shady politics and policies of preemptive security. "We strike first and we're unrehearsed/Here we go again to stage the greatest show on heaven and earth," the title track rants. But Bad Religion was never just a catchy name, as "God's Love" illustrates yet again. And society doesn't get a pass, taken to task for ignorance in "Social Suicide" and suffered as the source of Graffin's profound cynicism in "To Another Abyss." So the band's as indignant as ever, and that's important. The punk-pop kids in the drive-thru and hanging out at half-pipes need to see the graybeards bringing the big issue pain train. But it helps if those issues are bound to strong melodies, and in this department Bad Religion doesn't disappoint. "Let Them Eat War" features a stinging lead guitar figure and the usual muscular chug; outsider rap poet Sage Francis makes an appearance in the middle. Opener "Overture" is a brooding instrumental, the sound of punk in a neutered Orwell future — it bursts into a million pieces in the thrusting fists of "Sinister Rouge" and the aforementioned "Suicide." (Empire's lyrics are attended by footnotes — including Orwell — à la 1992's Generator.) Those BR harmonies rise and fall behind a pleadingly angry Graffin in "All There Is," and one of the band's three (!) guitarists adds a solo blister. Best might be "Los Angeles Is Burning," not surprisingly inspired by the California wildfires of 2003. "Palm trees are candles in the murder wind/So many lives are on the breeze even the stars are ill at ease" — the track's as powerfully melodic as it is darn angry. The Empire Strikes First isn't a return to Bad Religion at its most vitriolic and unstoppable — whether that could ever really happen is unclear, and probably unnecessary. Unnecessary, because Bad Religion is best when standing defiant in the way of whatever hate and shenanigans are currently inhabiting our collective psyche. Their tone doesn't change, but the battles are always changing. Watch out, evildoers — Bad Religion is in your rear-view, and they're gaining.

Customer Reviews

Finally

At last! itunes has taken its sweet time adding this album to it archives. This is without a doubt Bad Religion's best album and a must-have for anyone who enjoys listening to them.

this is not a compilation please fix the tags.

this is not a compilation please fix the tags.

Good record,same old same old......

It's amazing how many times this band can put out the exact same record in the exact same style (often using chord progressions from previous songs) with more or less the same lyrical themes,yet still remain interesting and enjoyable to listen to.Their main strength is obviously the amazing vocalist and vocal melodies.I would honestly buy an album of Graffin walking around his house singing to himself doing housework.This record is probably the weakest of the 3 "comeback records"(The Process Of Belief,this,and New Maps Of Hell) after Gurewitz rejoined and they got a good drummer.Standout songs for me are "All There Is", "L.A. Is Burning","Live Again". I don't really care for "Let Them Eat War",but Brooks does this awesome little high hat thing.He is the best drummer they've ever had.I can only wonder what their "No Control" album would have sounded like with 3 guitarists and him drumming.All in all a pretty good album,though a new fan should definitely start with Suffer,No Control or Against The Grain to see what the big deal REALLY is about this band.

Biography

Formed: 1980 in Los Angeles, CA

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

Out of all of the Southern Californian hardcore punk bands of the early '80s, Bad Religion stayed around the longest. For over a decade, they retained their underground credibility without turning out a series of indistinguishable records that all sound the same. Instead, the band refined their attack, adding inflections of psychedelia, heavy metal, and hard rock along the way, as well as a considerable dose of melody. Between their 1982 debut and their first major-label record, 1993's...
Full Bio

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