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The Essential

Concrete Blonde

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Album Review

Concrete Blonde's entry in Capitol's Essential series is similar to its Classic Masters retrospective from 2002. In fact, it's exactly the same track listing until Essential opts for "Happy Birthday" and "Sun," two tracks from 1989's Free. But neither collection adequately replaces 1996's comprehensive, out of print Recollection: The Best of Concrete Blonde, and Essential only goes as far as the 1992 LP Walking in London, excluding the following year's Mexican Moon. It's also curious that nothing unreleased could be scrounged from the vaults for this set. Still, diehards can cover with 2003's Live in Brazil (Ark 21), meaning Essential is probably OK for the casual Concrete fan. It's in chronological order for one thing, beginning with the fabulously hungry "Still in Hollywood" and rolling right through to "Caroline," "Joey," and "Tomorrow, Wendy" from the 1990 breakthrough, Bloodletting. The band's atmospheric cover of Hendrix's "Little Wing" dates from the same year, as does a live version of "Roses Grow." (Both were originally released on the Caroline single.) It might have switched out "Sun" for "Bloodletting (The Vampire Song)." And it really could have used the title track to Mexican Moon. But otherwise, Essential is a pretty satisfactory overview of Concrete Blonde's IRS output.

Customer Reviews

Get the album versions! They sound better.

Five stars for the music, 1 star for the sound. Fantastic band but this release suffers from horrible remastering. As with many "remasters and "reissues" it's louder but loses all the dynamics on the songs. For example, just compare "Dance Along The Edge" to the version on their self-titled release. This one might be louder but it's dull and flat sounding. You can really hear it on the cymbal crashes and and guitar. In addition the songs are cheaper, only 99 cents.

Biography

Formed: 1982 in Hollywood, CA

Genre: Rock

Years Active: '80s, '90s, '00s

Concrete Blonde grew out of the Los Angeles post-punk club circuit that produced bands like X, Wall of Voodoo, and the Go-Go's, but it wasn't until 1987 that the band even recorded its first album. The group was founded by singer/songwriter/bassist Johnette Napolitano and guitarist Jim Mankey, who initially called themselves Dream 6 and released an EP. Their insistence on complete artistic control was off-putting to the major labels who took notice, however, and it wasn't until 1987 that the group...
Full Bio
The Essential, Concrete Blonde
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