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The Greater of Two Evils

Anthrax

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Album Review

"These are your favorite Anthrax songs from the Turbin/Belladonna era Anthrax. You voted and we listened." So writes Scott Ian in the liners to The Greater of Two Evils, Anthrax's tribute to their past, their fans, and their present tense. Message board voters built the track list, and they did well, hitting on a mix of classics and fan favorites from the group's first five albums. But Two Evils also unites the band's early creative zenith with the resurgent promise of 2003's We've Come for You All. That album wasn't a comeback, since Anthrax had never really left. But it was definitely a return to form after a few years spent casting around for direction. Hearing the 2004 lineup of Ian, John Bush, Charlie Benante, Frank Bello, and Rob Caggiano absolutely rip into cuts like "Metal Thrashing Mad" and "Caught in a Mosh" — and have their passion matched by raw and thumping production — combines the thrill of returning to a great old album with knowing that the band's loving it just as much as you. Bush is particularly engaged for "Indians," and Caggiano's frenetic soloing to open "A.I.R." is a perfect foil to the track's near-hardcore bottom end. The beginning of "Madhouse" sounds like magnets ripping away iron plating, and "I Am the Law" and "Gung-Ho" are still clinics on thrash. Anthrax fans are sure to love The Greater of Two Evils, especially since they picked the tracks. But what's even better about the set is how vital it makes the band itself sound.

Customer Reviews

wow

this cd is awesome it has the best songs from the anthrax glory years with singer john bush.it mixes the old with the new.a nice treat for anthrax fans around the world.

Great friken album!

This album is brütal it's gotta be some of there best! John Bush makes there vocals SO much better

Awful on two fronts, decent on one

Effort: On this album, Anthrax often times seems strained, unrehearsed, or lazy with the instrumentation, or even worse, the singing... Bush overstrains his voice many times on the CD, and the result is that he sounds like crap. 'Live In Studio?' Yes, you can tell that, as there are some parts (as I stated, mostly on the vocals) that would surely be redone if this was an normal studio album. But they weren't- what a sloppy job!

Mastering: When I first got this album, I had no idea what dynamic range was, but I could still tell it was too loud and that something was wrong with it... Now I know: it's compressed to hell and back, and listening to it makes your ears hurt after seconds.

Sound/Tone: After you get past the crap vocals and lazy work, the actual guitar tone is phenomenal... But Joey's voice sounds better than Bush's, even taking into account the 'Live In Studio' (no retakes of singing/playing, in other words) thing. And the bass is better on the original recordings, too, and the lack of reverb at all here harms the album.

Biography

Formed: June, 1981 in New York, NY

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

Nearly as much as Metallica or Megadeth, Anthrax were responsible for the emergence of speed and thrash metal. Combining the speed and fury of hardcore punk with the prominent guitars and vocals of heavy metal, they helped create a new subgenre of heavy metal on their early albums. Original guitarists Scott Ian and Dan Spitz were a formidable pair, spitting out lightning-fast riffs and solos that never seemed masturbatory. Unlike Metallica or Megadeth, they had the good sense to temper their often...
Full Bio

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