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The Hurting (Remastered Extra Tracks)

Tears for Fears

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Album Review

The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers' ability to package an unpleasant subject — the psychologically wretched family histories of Roland Orzabal and Curt Smith — in an attractive and sellable musical format. Not that there weren't a few predecessors, most obviously John Lennon's Plastic Ono Band album — which was also, not coincidentally, inspired by the work of primal scream pioneer Arthur Janov. (But Lennon had the advantage of being an ex-Beatle when that meant the equivalent to having a box next to God's in the great arena of life, where Tears for Fears were just starting out.) Decades later, "Pale Shelter," "Ideas as Opiates," "Memories Fade," "Suffer the Children," "Watch Me Bleed," "Change," and "Start of the Breakdown" are powerful pieces of music, beautifully executed in an almost minimalist style. "Memories Fade" offers emotional resonances reminiscent of "Working Class Hero," while "Pale Shelter" functions on a wholly different level, an exquisite sonic painting sweeping the listener up in layers of pulsing synthesizers, acoustic guitar arpeggios, and sheets of electronic sound (and anticipating the sonic texture, if not the precise sound of their international breakthrough pop hit "Everybody Wants to Rule the World"). The work is sometimes uncomfortably personal, but musically compelling enough to bring it back across the decades. [The Hurting was remastered and reissued in an expanded version in 1999.]

Customer Reviews

Breathtaking....

This is, no kidding, the best album I have ever heard in my life. Tears for Fears is the epitomy of Alternative

Exciting highs, a few dull lows

This impressively strong debut resonated with me when it was released, and still holds up, for the most part. While not as consistent or epic as "Songs From the Big Chair," the ideas here are the genesis for many other TFF themes, but in a more raw form. It starts off with the naïve "The Hurting," full of electronic doodles, a decidedly British take on moping, and lyrics straight out of "The Primal Scream." We understand immediately that these two lads have had painful childhoods. However, the next two songs buzz into high goth-pop drama, layered with shimmering guitars, unbridled youthful introspection, and keening vocals by Curt Smith, the stronger singer of the pair. "Mad World" and "Pale Shelter" are the highlights of side one -- I can still only conceive of this album in its pre-CD form. More psychological meanderings follow with "Ideas as Opiates," while the pain of youth brackets the end of side one and the beginning of side two. "Change," the absolute gem of this recording, embraces sonic textures and ethereal vocals. However, it is essentially a cheery lament over an infectious tune. "The Prisoner" is a TFF experiment, and not a particularly interesting one, the kind of idea they eventually came to express on single b-sides (where they work best). "Start of the Breakdown" is the end of the beginning, delivered in plaintive tones, but not hopeless sounding. Is this the start of the breakdown? The band suggests perhaps not.

My favorite of tears.by Russ F.

This is my favorite tears for fears album hands down. They were more unique soundin less radio freindly on this one. The songs I love change,the hurting.

Biography

Formed: 1981 in Bath, Somerset, England

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

Tears for Fears were always more ambitious than the average synth pop group. From the beginning, the duo of Roland Orzabal and Curt Smith were tackling big subjects — their very name derived from Arthur Janov's primal scream therapy, and his theories were evident throughout their debut, The Hurting. Driven by catchy, infectious synth pop, The Hurting became a big hit in their native England, setting the stage for international stardom with their second album, 1985's Songs From the Big Chair....
Full Bio

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