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The Lord of the Rings Symphony

Howard Shore

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Album Review

Like the second installment of Peter Jackson's Lord of the Rings trilogy, Howard Shore's score is big, bold, dark, and majestic. This is fitting as the movie is more action-oriented than the first, The Fellowship of the Rings, which — necessarily — spent more time on exposition and character development. It's also a good value for the money, as it features over 70 minutes of music, both instrumentals and vocal tracks (concentrated on the second half of the disc). These include "Evenstar" with the Canadian Opera Company's Isabel Bayrakdarian (who also contributed to Mychael Danna's Ararat soundtrack), "Breath of Life" with Sheila Chandra (formerly of Monsoon), "Forth Eorlingas" with Ben Del Maestro, "Isengard Unleashed" with Del Maestro and Elizabeth Fraser (the Cocteau Twins), and "Gollum's Song" with Emiliana Torrini. The latter is a British vocalist of Icelandic and Italian extraction, who has worked with Tears for Fears' Roland Orzabal and Iceland's Gus Gus. "Gollum's Song" is a tribute, of sorts, to the half-CGI, half-actor-created character (Andy Serkis provided his distinctive voice and physical movements) who handily walks away with the film. The affecting song ("We are lost/We can never go home"), which plays during the end credits, was written by Jackson's wife, Fran Walsh, and sets things up nicely for The Return of the King, the final book in J.R.R. Tolkien's trilogy. Despite the critical and commercial success of The Two Towers, the strong orchestral work, and the more inspired selection of vocalists, the soundtrack was not nominated for an Oscar, whereas Shore took home the gold statuette (his first) for his work on The Fellowship of the Rings. ~ Kathleen C. Fennessy, Rovi

Customer Reviews

Wonderful!!

I have always wondered why the great film composers don't do this more often. Take a great score and rearrange it for the sake of the musical experience rather than the short and/or constrained cues needed to support the visual of the film.
I was lucky enough to see Shore conduct his Symphony with the Atlanta Symphony and Chorus in 2004 and have been waiting for a recording of it ever since. Finally.
I was somewhat skeptical of the quality of this recording since I was not familiar with the conductor and the orchestra and chorus (Ludwig Wicki and The 21st Century Symphony Orchestra). Nothing to worry about. The quality is top notch. Even the vocal soloists are first rate. It *is* somewhat difficult to get past the expected voices of Annie, Viggo, etc. but open up. These soloists have great voices and their covers are excellent.
If I have one critique, it is the unnecessary applause added after the end of the performance. Easy enough to edit out with the mute button though.
If your a fan of this music, don't wait another minute. If you don't get chills or a few tears by the climactic ending then you're an Orc ;)

Sanity.

Healthy. Amazing.

Outstanding, both for LOTR fans and fans of good symphones.

This album follows all three of the LOTR movies, and fans will be able to follow the story throughout the symphony. Movements One & Two cover Fellowship of the Ring. Movements Three and Four take care of The Two Towers and Movements Five and Six complete the story's last move, The Return of the King. But if you've never seen the movies, or are a fan of The Lord of the Rings, I still recommend this album because in of itself it tells a great story. You will know when evil is afoot, and when good triumphs. Howard's genius is to capture the feeling of combat, the overwhelming chaos of it all, and the desperation of those who fight for justice. I can't say enough about this album, so please buy it and let it speak for itself. There is so little good music being published, don't let this gem pass you by.

Biography

Born: October 18, 1946 in Toronto, Ontario, Canada

Genre: Soundtrack

Years Active: '60s, '70s, '80s, '90s, '00s

Howard Shore has composed the scores for over 50 films, including The Silence of the Lambs, Philadelphia, After Hours, and Seven. His collaborations with David Cronenberg have resulted in scores for the films The Brood, Scanners, Videodrome, The Fly, Dead Ringers, Naked Lunch, M. Butterfly, and Crash, spanning a nearly 20-year period by the year 2001. Shore's formal education came at the Berklee School of Music in Boston. From 1969-1972 he recorded with the group Lighthouse. He was one of the original...
Full Bio

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The Lord of the Rings Symphony, Howard Shore
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