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The Lost Notebooks of Hank Williams

Various Artists

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iTunes Review

Few albums have as strange a story behind them or such fantastic results. The songs here were created using lyrics that country legend Hank Williams had written in his notebooks but never got around to putting to music. Williams’ death at age 29 on New Year’s Day, 1953, froze his legacy with a catalog of unrivaled brilliance. Now, with the help of a first-rate cast, his unfinished songs are given life. It isn’t just country stars who re-create the Williams sound. Levon Helm, drummer from The Band, pulls from his Arkansas childhood for “You’ll Never Again Be Mine.” Sheryl Crow puts on her cowboy hat for the beautifully styled “Angel Mine.” Few albums have as strange a story behind them or such fantastic results. The songs here were created using lyrics that country legend Hank Williams had written in his notebooks but never got around to putting to music. Williams’ death at age 29 on New Year’s Day, 1953, froze his legacy with a catalog of unrivaled brilliance. Now, with the help of a first-rate cast, his unfinished songs are given life. It isn’t just country stars who re-create the Williams sound. Levon Helm, drummer from The Band, pulls from his Arkansas childhood for “You’ll Never Again Be Mine.” Sheryl Crow puts on her cowboy hat for the beautifully styled “Angel Mine.” Alan Jackson couldn’t come closer to Williams’ vocal ache for “You’ve Been Lonesome, Too.” Vince Gill and Rodney Crowell take “I Hope You Shed a Million Tears” and turn it into a tune that Williams’ alter ego Luke the Drifter would’ve recorded, complete with spoken word. The track features the last recorded evidence of Williams’ pedal steel player Don Helms. Merle Haggard takes the spiritual with “The Sermon on the Mount” and makes it a collaboration between two country legends.

Customer Reviews

Lost Notebooks of Hank Williams

What surprised me most about this effort was the artistry and care that the performers invested. Maybe it was the power of Hank's lyrics, maybe the discerning curatorship of Bob Dylan, maybe just individual artists rising to the occasion – but I was blown away by the high quality throughout. Mind you, I think the ideal listener for this CD is someone with a developed taste for traditional C&W, and I wouldn't go looking for ground-breaking interpretations, but I could listen all day.

Thanks, Bob

I am so glad that Hank's words got loving put to music. This has been a labor of love for Bob Dylan, and he did a great job. (Too bad thanks Hank's son did not inherit his father's respect for words and intelligence.)

Patty Channels Hank

The arrangements and production on this album are impeccable. The music sounds like Hank's music might have sounded had he lived long enough to have the benefit of sophisticated sound technology--the sounds is great but has a rootsy feel to it. Most of the songs are good (I'm not too crazy about the spoken-word tracks, but that, I guess, is a personal preference) and a few are really outstanding. Alan Jackson sounds more authentic than he has in years. Sheryl Crow's "Angel Mine" is pretty and she does a sweet little semi-yodel at the end. Bob Dylan is appealingly gruff and Jackob Dylan's "Oh Mama Please Come Home" is just plain appealing, albeit less countrified than most of the other songs. But I have to say Patty Loveless tops them all, she absolutely channels Hank Williams. Loveless's "You're Through Fooling Me" is the perfect female counterpoint to Hank's "You're Gonna Change (or I'm Gonna Leave). It's just as mean and sassy, but 60 years later the shoe is on the other foot. And if you're into the Williams family, check out Hank III's new album too.

The Lost Notebooks of Hank Williams
View In iTunes
  • $9.99
  • Genres: Country, Music
  • Released: Sep 30, 2011

Customer Ratings

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