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The Mantles

The Mantles

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iTunes Review

The San Francisco Bay Area is undergoing a ‘60s musical revival, with scores of bands unearthing vintage keyboards and amps, perhaps wrapping songs in reverb, or Byrdsian guitar shimmer, or choosing between psychedelic haze and Motor City stomp. San Francisco quartet the Mantles join the time-travel fun, and here we get a touch of the Paisley Underground scene, punctuated occasionally — and effectively — with visceral shots of garage rock energy. This self-titled debut shows a band facing the challenge of melding more than one style into a cohesive whole. “What We Do Matters” stands out as a raucous, string-breaking burst of garage- punk fierceness, with singer Mike Oliveres' appealingly simple vocals swathed in reverb, while the Stooges clearly inspire the guitar tones of “Yesterday’s Gone.” But “Burden” (an earlier single) circles in a chemical-induced excursion to the far side, and “Don’t Lie” is a brooding, mid-tempo number, driven by a churning organ and ‘60s-pop guitar jangle. The Mantles smartly avoid overloading their songs with “pop” lightness, keeping a sharp edge to the tunes even when dousing them in lo-fi fuzz.

Customer Reviews

YES

"bury me dead" is killer and the other tracks fall close behind. surprised how nimbly they're able to dip into genuinely affecting ballads ("look away", "don't lie") after the punchy openers.

Infectious

This band is a mere two steps away from hitting their stride. I was first drawn to them by the raspy "Bad Design," which oozes of lost nostalgia carried along by riffs that won't get out from under your skin. They have ten tons more soul than most garage bands and I only expect their writing to get tighter. Looking forward to everything they do.

WOAH

I see soooo much potential in this band!!! Get some high 2 low 2 high notes in a song and they will be making hits. I can almost here curt cobain's whisper in the singers voice. An amazing album for a small band. I will keep track of them.

The Mantles, The Mantles
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Customer Ratings

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