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The Sensual World

Kate Bush

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Album Review

This was the first U.S.-released CD-5 from Kate Bush, assembled from parts of three prior U.K. CD single releases (the additional tracks can also be found on This Woman's Work). It includes the album mix of "The Sensual World," as well as an instrumental version (she's avoided the extended remixes and rethinks this time), which, the video and other work considered, comes off as a wonderful pagan ditty, despite the rather flat and slightly muddy mixing job. In addition, there's also "Be Kind to My Mistakes" from the Nicholas Roeg-directed Castaway (an otherwise dull and disappointing film, despite Oliver Reed and the lead actress spending most of her onscreen time in a state of undress), "Ken" (from the mini-movie G.L.C., released only in the U.K.; she also contributed the incidental score), and "I'm Still Waiting," which, with "Be Kind to My Mistakes," graced the CD-5 release of the U.K. remix of "This Woman's Work." "Be Kind to My Mistakes" and "I'm Still Waiting" are good examples of a Kate Bush song — full tilt percussion, almost jazzy vocal arrangements that sometimes seem unconnected to the rhythm, and other times seem part of it; "I'm Still Waiting," unfortunately, also has a little of Bush's tendency to shriek histrionically for emphasis. "Ken" is an outright crowd-pleasing stomp of a piece, not so much arranged as bashed together — basically a theme for one of the major characters of G.L.C., and performed with unabashed enjoyment with drums, bass, voice, and Fairlight strings. The only real negative here is that Columbia chose to leave out two other tracks released in the U.K.: "The Confrontation" and "One Last Look Around the House Before We Go...," both on the U.K. 12" version of "Love & Anger."

Customer Reviews

Brilliant!!

Never having heard a Kate Bush album in my life, a friend lent me her copy of this album and I immediately started combing the music stores for everything she recorded. The music on this album is not merely about sensuality; it explores themes such as personal loss and sadness, obsession, relationships and love in its many forms. The standouts: "Rocket's Tail" an explosively erotic number, and I dare anyone to dispute its sexual symbolism, "This Woman's Work", possibly one of the most beautiful songs ever written, and "Reaching Out" a vocally and lyrically powerful work about life patterns. It isn't surprising that artists like Tori Amos, Sarah McLachlin and Maxwell have been inspired by her work. She is a true original, an artist driven by a uniquely powerful muse. Now my only question is: When will iTunes feature her greatest album: "The Dreaming"?

Wow!

I had never heard any of her songs until CBS used 'This Woman's Work' in the CSI Season 8 promo. I was pleasently surprised that almost all of her songs were just as good!

Wow

I can't believe this album is from 1989. Kate's voice is haunting and her music is timeless. I hope the CSI promo drags her into the spotlight where she belongs.

Biography

Born: July 30, 1958 in Bexleyheath, Kent, England

Genre: Pop

Years Active: '70s, '80s, '90s, '00s, '10s

One of the most successful and popular solo female performers to come out of England during the last several decades of the 20th century, Kate Bush was also one of the most unusual, with her keening vocals and unusually literate and complex body of songs. As a girl, Catherine Bush studied piano and violin while attending the St. Joseph's Convent Grammar School in Abbey Wood in South London. She also amused herself playing an organ in the barn behind her parents' house. By the time she was a teenager,...
Full Bio

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