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The Woods (Bonus Track Version)

Sleater-Kinney

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iTunes Review

Olympia, Washington’s Sleater-Kinney make a much greater noise than their modest power trio suggests. Their slashing rhythms, extraordinarily distorted guitars, fierce harmonies, and call and response tag-team vocals generate more sound than the sum of their parts. Founded on the do-it-yourself independence of punk rock and the early ‘90s riot grrrl scene, Sleater-Kinney are never interested in polishing a lick or settling for second rage. They go for the throat. After years of critical kudos for such rawness, they enlisted Mercury Rev’s Dave Fridmann to produce this collection. However, Fridmann makes no attempt to prettify a thing. He frees up the sonic space, but it’s only to enhance the dynamics of the emotionally driven insight into suicide (“Jumpers”) or to better catch the unexpected groove (“What’s Mine Is Yours”). Corin Tucker’s voice is still a shrill X-Ray-Spex-inspired wall of shriek. “Let’s Call It Love” is an 11-minute slow grind of primal guitar soloing and a noticeable shift into hard-rock territory. This new discovery of their inner guitar hero may make for interesting developments in the future.

Customer Reviews

Don't download, go out and buy the record...

... or at least be aware that "let's call it love" and "night light" don't have a natural break between tracks -- they are a single continuous performance. If you download from the iTunes store, be prepared to burn these two to CD (setting the preference for "break between tracks" to 0 seconds), then highlight both and "join CD tracks" (under the advanced menu) before ripping back to your iTunes library. Oh yeah -- I had a little trouble getting into "the fox." My favorite tracks are "entertain," "let's call it love," and "everything."

WOW-They just keep on doing it.

With so much "indie" blah comming out now-a-days, this the most refreshing album of the year. The ladies some how created a blaring new sound that sounds classic. This is a timeless album that I felt nastalgic towards before I even finished listening to it the first time. "The Fox" is raw and grindy that bounces on a rubber band. This whole album makes that toe stomp or those hips waver. "What's Mine Is Yours" has a pounding down beat along with "Steep Air." The transition from song to song, is wonderful-a real album, ya know. "Everything" is one of my fav's and AMAZING live(yay Santa Cruz) This, like Dig Me Out, encaptulates the sleater-kinney live experience. As my old music teacher used to say, "A good musician will perform better live than what is on their album." A real work of art.

Keep listening to this album and you will be rewarded

he new album from my perennial favorites from the pacific northwest, Sleater-Kinney. This album is quite unlike all of their previous albums -- much dirtier, louder -- offering up more of a sonic assault than a dance beat. For the first week or so, I'll have to admit, I was a little bit depressed because I did not like this album. But then I saw Sleater-Kinney perform it live, and I started to warm up a bit. And I have continued listening, almost every day, and as I have done so, my admiration for this record has only grown. Standout tracks include the quirky "Modern Girl", and the totally stupendous, best-Sleater-Kinney-song-ever, "Night Light". This album is strongly recommended for any Sleater-Kinney fans, but probably won't win anyone over to the band if you haven't liked them previously.

Biography

Formed: 1994 in Olympia, WA

Genre: Alternative

Years Active: '90s, '00s

Formed in 1994 from the ashes of Heavens to Betsy and Excuse 17, a pair of groups that rode the first wave of the riot grrrl movement, Sleater- Kinney became one of the most important feminist punk rock bands of the '90s. Singer/guitarists Corin Tucker and Carrie Brownstein first met in 1992, when Tucker was one half of the duo Heavens to Betsy. Brownstein, a classically trained pianist, was so inspired by Tucker and other grrrl musicians like Bikini Kill and Bratmobile (not coincidentally Tucker's...
Full Bio

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