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These Friends of Mine

Rosie Thomas

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iTunes Review

Recorded at Sufjan Stevens’ Brooklyn apartment and Denison Witmer’s home in Philadelphia with a couple of open microphones, Rosie Thomas’ fourth album, These Friends of Mine is, as you might expect, an intimate collection of personal folk songs that recall the early Palace Brothers in their unvarnished splendor. Thomas enlisted the help of Stevens, Denison Witmer and Josh Myers for a small ensemble set-up that recorded the tunes as quickly as she could write them. Various assemblages of backing vocalists (Damien Jurado, Dave Bazan, Jeremy Enigk on the title track) gently augment the sparse vibe. Friendly chatter between the participants adds to the casual air that settles for lo-fi but never sloppy indulgence. Covers of R.E.M.’s “The One I Love” and Fleetwood Mac’s “Songbird” are given a solemnity that’s both touching in its whispered sincerity and slightly stiff. Thomas’ own tunes are informed by her immediate reactions and impressions of New York City where her romantic artistic dreams are sent spinning into the subways and overwhelmed by the panoramic views that always threaten to dwarf the fragile soul.

Customer Reviews

A Rosie outlook

Well this is an itunes first for me. With over 7,000 songs on my ipod, I have this compulsive hunger to hear it all. But for the first time I bought not one but two albums simultaneously: both by Rosie Thomas, whom I had never heard of. I just couldn't bear to have just one album. She appears to be a genius in search of her mainstream success, so she is experimenting with her sound, becoming a bit chameleon-like in the process. For this I applaud her. The bottom line is that she is the kind of fragile artist who can become whomever she wants to be. Her instrument is so fine tuned, that she can at one moment become Joni-like and then suddenly likethat she's Sufjan-like. Audiences are generally very fickle like and want their beloved artists to be like juke boxes, who deliver what they want on demand. But when you are this talented, it must be impossible to stand still when the savage winds of your heart are pulling you in every direction at the same time. Rosie has many levels to her. She is a sculpter of sound. The voice, the heartfelt subtext, the imagery, the harmonies are just jaw droppingly wonderful. She has a child's sense of wonder and wants so desperately to be loved in the grandest tradition of romance. She is caught in some kind of swirl. This I get from listening to itunes snippets. Now I have a Rosiebuffet to devour. It's so rare to find an artist this honest and this compelling in such a cynical world. So shut off Katie Couric and all the naysayers of doom, dim the lights, pour the merlot, drop a Rosie cd onto that electronic turntable and do what Rosie does best: fly.

sheer brilliance

No one marries poignant lyrics with tender vocals quite like Rosie Thomas. This offering, 'These Friends of Mine' adds color and texture to her already unearthly repertoire in a way that only Dennison Whitmer and Sufjan Stevens can do. A must hear.

I love it.

This album is breathtakingly beautiful. Sweet, simple, and wistful.

Biography

Born: Seattle, WA

Genre: Alternative

Years Active: '90s, '00s

Singer/songwriter Rosie Thomas has been shaping her sweet, delicate song stylings since her early childhood, but she made a name for herself when she joined Motor City dream pop band Velour 100. Thomas sang and toured with the band during the late '90s before jumping ship for a solo career. Mixing up the folk-pop of Joni Mitchell with indie sensibilities, Thomas found herself surrounded by a new scene. She and Damien Jurado dueted on "Wages of Sin" for Sub-Pop's 2001 compilation Badlands: A Tribute...
Full Bio

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