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They Got Lost

They Might Be Giants

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Album Review

They Might Be Giants are one of too-few bands that manage to make compilations that are as cohesive and enjoyable as their regular full-length albums. They Got Lost is no exception — a collection of truly rare rarities, it shows once again that the group's more obscure songs are quite often just as great as their best-known ones. Many of the tracks here come from They Might Be Giants' relationship with the music download service EMusic, including the sweetly sad alt-country of "Words are Like (Demo)"; "Reprehensible"'s bright, swingy lounge; and the more typical quirky rock of "On the Drag," "I Am a Human Head" and "Certain People I Could Name." Sometimes the origins of the songs are even more unusual than the songs themselves: "Oranges" and the very silly "Oranges Testimonial" were commissioned by the Chopping Block, a graphic design firm. "Theme to McSweeney"'s celebrates Dave Eggers' beloved literary webzine with Wendy Carlos-style baroque electronics, and "I'm Sick (of this American Life)" pays homage to the National Public Radio show with weary, tongue-in-cheek wit; meanwhile, "Rat Patrol" (another EMusic track), with its charging pianos and guitars, sounds like the theme song to a TV show that never was. One of They Got Lost's best songs actually did appear in a TV show: "All Alone," the strangely bittersweet story of a germ launched into outer space, appeared on "Brave New World," a special series produced by ABC's Nightline. Though this collection isn't quite as consistent as, say, Miscellaneous T, They Got Lost is still a lot of fun (especially on off-the-cuff tracks like "Disappointing Show") and a must for any die-hard TMBG fans that don't already have these songs.

Customer Reviews

Behold the mystery.

To the unintiated, this would be a collection of pure crap. However, upon further inspection, one finds the gems that have been obscured by time. You can grab some of these on their original albums on EMusic, but that's about it. Back to the review. Rest Awhile is rock, pure and simple. On the Drag, I Am a Human Head (a No! reject), They Got Lost, Rat Patrol, and Certain People are all great Giants fare. That leaves a few others plus the demos and oddities. All Alone was recorded for ABC's now-dead Brave New World, and is rather clever, telling the story of a lonely germ sent to and returned from the moon. I'm Sick was recorded in an afternoon on a dare by Sarah Vowell. Token Back to Brooklyn is hidden before any of the Factory Showroom tracks (CD only). Once you consider the background of some of these, the Giants' genius really shines, and you can see why they're so great. Unfortunately, some of these are duds, such as Truth In Your Words, The Army's Tired Now, and Dollar for Dollar, but that shouldn't keep one from missing out on some of these tracks. Curiously, Track 20, Disappointing Show, a live track recorded at Columbia University, has been removed. Sad. I even bought it at one point. Weird. However, as of 10/25, you can grab this in store (rather than only on tmbg's site) and get all the goodness.

Candy

Thi was my first TMBG cd and i ave to say, it is one of the best cds i own. I admit the first time i heard it i wasn't too fond of it but a couple more times of listening to it i absolutely fell in love with it. A must have for anyone that exists.

Rocket Barrage Ready!

Occupied piggy! There's a communal escapade, dependent on wheat grass and sayonara fusillades, that means a great deal more then mere pablum: let's explore the outer space, and bring back souvenirs and rocks, and let's throw those down the chute that leads to our eventual winter: we'll be able to visit them on Wednesdays, after the sun goes down and their eyes can light the way to our salvation (Do, indeed, rocks have eyes? Funny that you should ask that, being a fan and all...)

Biography

Formed: 1983 in Boston, MA

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Combining a knack for infectious melodies with a quirky, bizarre sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became one of the most unlikely alternative success stories of the late '80s and early '90s. Musically, John Flansburgh and John Linnell borrowed from everywhere, but their freewheeling eclecticism was enhanced by their arcane, geeky sense of humor. The duo would reference everything from British Invasion to Tin...
Full Bio

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