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Album Review

The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup — swapping drummer Harvey Mason for Mike Clark — and the switch results in grooves that are even more complex. Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ("Palm Grease," "Actual Proof," "Spank-A-Lee") concentrate on the funk, with plenty of Hancock's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop. The change-of-pace is one of Hancock's loveliest electric pieces, "Butterfly," a match for any tune he's written before or since, with shimmering synth textures and Bennie Maupin soaring on soprano (Hancock would re-record it 20 years later on Dis Is Da Drum, but this is the one to hear). This supertight jazz-funk quintet album still sounds invigorating a quarter of a century later. ~ Richard S. Ginell, Rovi

Customer Reviews

An absolute standout!

There are so many things to say about Mr. Hancock's album, but I'll be brief. The initial reviewer says it all, except that "Actual Proof" has one of the filthiest and most complex bass lines I have ever heard! A fantastic job Mr. Hancock. I bought the LP when it was released in 1974, then for years looked for it on CD. Nice that iTunes has it. They are showing their good taste. Love the airbrushing artwork too.

Thrust!

If yah don't know... now yah know

herbie funk hancock

even better than head hunters ive been lookin for music like this for a while pure space funk. highly recommened this and man-child really funky also

Biography

Born: April 12, 1940 in Chicago, IL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Herbie Hancock will always be one of the most revered and controversial figures in jazz — just as his employer/mentor Miles Davis was when he was alive. Unlike Miles, who pressed ahead relentlessly and never looked back until near the very end, Hancock has cut a zigzagging forward path, shuttling between almost every development in electronic and acoustic jazz and R&B over the last third of the 20th century and into the 21st. Though grounded in Bill Evans and able to absorb blues, funk,...
Full Bio

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